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In their world they are alone…a family haunted by banishment, struggling for survival in a harsh new land. A woman who has borne and buried children, Eve sees danger shadowing those she loves, while her husband drifts further and further from the man he was in the Garden, blinded by his need to rebuild a life outside of Eden. One daughter, alluring, self-absorbed Naava, turns away from their beliefs. Another, crippled, ever-faithful Aya, harbors a fateful secret, while brothers Cain and Abel become adversaries, and Dara, the youngest, is chosen for a fate of her own.
In one hot, violent summer, by the shores of the muddy Euphrates, strangers arrive on their land. New gods challenge their own. And for Eve, a time of reckoning is at hand. The woman who once tasted the forbidden fruit of paradise sees her family unraveling as brother turns on brother, culminating in a confrontation that will have far-reaching consequences for them all.
From a woman’s first awakening to a mother’s innermost hopes and fears, from moments of exquisite tenderness to a climax of shocking violence, Eve takes us on a breathtaking journey of the imagination. A novel that has it all romantic love, lust, cruelty, heroism, envy, sacrifice, murder Eve is a work of mesmerizing literary invention.
Elliott's disjointed narrative recounts the story of the Judeo-Christian tradition's first family from the creation of Adam to the murder of Abel, with an iconoclastic twist-the events are seen through the eyes of Eve and her daughters. While most of the characters lack depth, the story still manages a compelling interpretation, and the audio production improves upon the original text. With three different narrators performing the roles of Eve and her daughters, the production adds nuanced tones and more distinct personalities. From the somber and saddened Eve to the recalcitrant and scheming Naava and the optimistic and endearing Dara, the narrators enrich these points of view with a range of vocal shifts and cues that move characters beyond Elliott's superficiality. A Delacorte hardcover (Reviews, Nov. 10). (Feb.)
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