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Now from the bestselling author of The Cure for Modern Life and Once Upon a Day comes a riveting story of suspense about a literature professor whose carefully constructed life is shattered after the death of her twin brother and the unraveling of the secret world they shared.
On a March afternoon, while Lila Cole is working in her quiet office, her twin brother Billy points an unloaded rifle out of a hotel window, closing down a city block. “Suicide by police” was obviously Billy’s intended result, but the aftermath of his death brings shock after shock for Lila when she discovers that her brilliant but troubled twin—the person she revered and was closer to than anyone in the world—was not only estranged from his wife, but also charged with endangering the life of his middle child and namesake, eight-year-old William.
As Lila struggles to figure out what was truth and what was fiction in her brother’s complicated past, her job, her marriage, and even her sanity will be put at risk. And when the hidden meaning behind Billy’s stories comes to light, she will have to act before Billy’s children are destroyed by the same heartbreaking reality that shattered her protector and twin more than twenty years ago.
The Promised World is a mesmerizing tale of intimacy, betrayal, and lost innocence that will haunt listeners long after the last word.
Engrossing and suspenseful, Tucker's remarkable fourth novel (after The Cure for Modern Life) unveils the motives behind the curious behavior and superfluous lies of unusually close-knit fraternal twins. Brilliant but mercurial Billy Cole, estranged from his wife, Ashley, commits suicide after losing visitation rights to his children. After Billy's death, his fragile twin, Lila, immediately begins to break down, recalling bizarre incidents and feeling overwhelmed by dread. Once her husband, Patrick, who always prized reason over emotion, hears from Ashley that the twins lied about their parents being dead, he connects with Lila's mother, Barbara, and gets a very different picture of the twins' past. By rotating points of view between Lila, Patrick, Billy and Ashley, Tucker fleshes out the story, leaving readers understanding how both guileless and malevolent actions can be misconstrued. The strong, plausible narrative threatens to lapse into melodrama at the end but Tucker's easy hand with characters and persuasive human trauma saves the day for this satisfying, imminently readable novel. (Sept.)
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