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Introduction : opening opening acts | 1 | |
1 | Becoming other-wise : conversational performance and the politics of experience | 23 |
2 | Telling twisted tales : owning place, owning culture in ethnographic research | 49 |
3 | Bridging haunted places : performance and the production of Mostar | 81 |
4 | Looking for Stonewall's arm : tourist performance as research method | 102 |
5 | Rethinking elocution : the trope of the talking book and other figures of speech | 141 |
6 | Diverging paths in performance genealogies | 163 |
7 | The mechanical bride of Yonville-l'Abbaye (batteries not included) : remapping the canonical landmark | 199 |
8 | Performing theory/embodied writing | 243 |
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