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Introduction | ||
Ch. 1 | A word about words | 1 |
Ch. 2 | Left-wing commitment 1940-1960 | 25 |
Ch. 3 | Depicting the working-class | 75 |
Ch. 4 | Italian political language and writers who criticize | 105 |
Ch. 5 | Breaking the silence of violence: Seamus Heaney as a Northern Irish poet | 117 |
Ch. 6 | Three right-wing novels | 135 |
Ch. 7 | Stories of hell: from the Auschwitz of Primo Levi to the fairy-tales of Celine | 157 |
Ch. 8 | A tale of two Margarets | 171 |
Ch. 9 | The selling of Ulysses | 183 |
Ch. 10 | Struggling on the left | 195 |
Ch. 11 | The empire strikes back | 213 |
Ch. 12 | The long, unfinished march toward women's rights | 239 |
Conclusion | 257 | |
Endnotes and suggestions for further reading | 263 | |
Index | 281 |
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Add Language, Politics and Writing: Stolentelling in Western Europe, Language, Politics and Writing demonstrates the links and parallels between literature and politics in Western Europe. Patrick McCarthy looks at the history of the twentieth century by wedding together literary and political events and texts, and e, Language, Politics and Writing: Stolentelling in Western Europe to the inventory that you are selling on WonderClubX
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Add Language, Politics and Writing: Stolentelling in Western Europe, Language, Politics and Writing demonstrates the links and parallels between literature and politics in Western Europe. Patrick McCarthy looks at the history of the twentieth century by wedding together literary and political events and texts, and e, Language, Politics and Writing: Stolentelling in Western Europe to your collection on WonderClub |