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Theatre/Ecology/Cognition: Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold Book

Theatre/Ecology/Cognition: Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold
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Theatre/Ecology/Cognition: Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold, Theatrical meanings are enacted in onstage 'ecologies' of actors and objects irrespective of spoken language. Applying the concepts of affordances and image schemas to extensive analyses of Vsevolod Meyerhold's The Magnanimous Cuckold (1922), Je, Theatre/Ecology/Cognition: Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold
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  • Theatre/Ecology/Cognition: Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold
  • Written by author Teemu Paavolainen
  • Published by Palgrave Macmillan, 12/24/2012
  • Theatrical meanings are enacted in onstage 'ecologies' of actors and objects irrespective of spoken language. Applying the concepts of affordances and image schemas to extensive analyses of Vsevolod Meyerhold's The Magnanimous Cuckold (1922), Je
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Authors

1. Agents and Objects: A Primer to Concepts and Approaches
2. The Meyerhold Case: Scaffolding Action and Interpretation
3. The Polish Case: Poor Theatre/s and Cultural Ecology
4. Grotowski and the 'Objectivity' of Performance
5. Pillories to Barricade: Kantor's Infernal Ecologies Epilogue: Performing Humanity: Tensions and Continuities


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Theatre/Ecology/Cognition: Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold, Theatrical meanings are enacted in onstage 'ecologies' of actors and objects irrespective of spoken language. Applying the concepts of affordances and image schemas to extensive analyses of Vsevolod Meyerhold's The Magnanimous Cuckold (1922), Je, Theatre/Ecology/Cognition: Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold

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Theatre/Ecology/Cognition: Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold, Theatrical meanings are enacted in onstage 'ecologies' of actors and objects irrespective of spoken language. Applying the concepts of affordances and image schemas to extensive analyses of Vsevolod Meyerhold's The Magnanimous Cuckold (1922), Je, Theatre/Ecology/Cognition: Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold

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Theatre/Ecology/Cognition: Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold, Theatrical meanings are enacted in onstage 'ecologies' of actors and objects irrespective of spoken language. Applying the concepts of affordances and image schemas to extensive analyses of Vsevolod Meyerhold's The Magnanimous Cuckold (1922), Je, Theatre/Ecology/Cognition: Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold

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