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Book Categories |
Introduction | 1 | |
Introduction to teachers | 2 | |
Introduction to students | 3 | |
Research and resources | 4 | |
Exposure | 9 | |
Introduction | 10 | |
Intensity and time | 12 | |
Hand-held light meters | 15 | |
Taking a hand-held meter reading | 16 | |
TTL light meters | 18 | |
Interpreting the meter reading | 20 | |
Revision exercise | 22 | |
Framing the Subject | 23 | |
Introduction | 24 | |
Communication and context | 25 | |
Format | 26 | |
Content | 27 | |
Balance | 28 | |
Subject placement | 29 | |
The decisive moment | 30 | |
Vantage point | 31 | |
Line | 32 | |
Depth | 34 | |
Summary of basic design techniques | 35 | |
Gallery | 36 | |
Creative Camera Control | 37 | |
Introduction | 38 | |
Focus | 39 | |
Duration of exposure | 43 | |
A creative decision | 47 | |
Perspective | 48 | |
Summary of basic camera techniques | 49 | |
Gallery | 50 | |
Light | 51 | |
Introduction | 52 | |
Ambient light | 53 | |
Characteristics of light | 54 | |
Film latitude | 59 | |
Exposure compensation | 61 | |
Creative techniques | 65 | |
Revision exercise | 67 | |
Gallery | 68 | |
Lighting on Location | 69 | |
Introduction | 70 | |
Fill | 71 | |
Reflectors | 72 | |
Flash | 73 | |
Choice of flash | 74 | |
Guide numbers | 76 | |
Flash as the primary light source | 77 | |
Diffusion and bounce | 78 | |
Fill-flash | 79 | |
Flash as a key light | 80 | |
Slow-sync flash | 81 | |
Revision exercise | 82 | |
Gallery | 83 | |
The Zone System | 85 | |
Introduction | 86 | |
Zone placement | 87 | |
Contrast control | 88 | |
The zones | 89 | |
Operating the system | 91 | |
Calibration tests | 94 | |
Perfecting the system | 96 | |
Revision exercise | 97 | |
Gallery | 98 | |
Landscape | 99 | |
Introduction | 100 | |
History | 101 | |
Personal expression | 105 | |
Expressive techniques | 107 | |
Detail | 113 | |
Night photography | 114 | |
The constructed Environment | 115 | |
Assignments | 116 | |
Gallery | 117 | |
Environmental Portraits | 121 | |
Introduction | 122 | |
Framing the subject | 124 | |
Photographing strangers | 127 | |
Character study | 130 | |
Assignment | 131 | |
Gallery | 132 | |
The Photographic Essay | 135 | |
Introduction | 136 | |
A brief history | 137 | |
Content | 141 | |
Constructing a story | 143 | |
Working styles | 146 | |
Editing | 149 | |
Ethics and law | 150 | |
Distribution and sale of photo-essays | 151 | |
Assignments | 152 | |
Gallery | 153 | |
Art Direction | 155 | |
Introduction | 156 | |
Layouts | 157 | |
Commercial requirements | 158 | |
Assignment | 160 | |
Gallery | 161 | |
Glossary | 163 |
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Add Location Photography: Essential Skills, Location Photography is written for photographers using 35mm SLR and medium format cameras working with ambient light. Illustrated throughout with student and author work, the book is both an inspirational guide as well as a structured learning tool for m, Location Photography: Essential Skills to the inventory that you are selling on WonderClubX
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Add Location Photography: Essential Skills, Location Photography is written for photographers using 35mm SLR and medium format cameras working with ambient light. Illustrated throughout with student and author work, the book is both an inspirational guide as well as a structured learning tool for m, Location Photography: Essential Skills to your collection on WonderClub |