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Foreword | 13 | |
Acknowledgments | 17 | |
South Africa in Othello | 23 | |
Shakespeare in Iceland | 41 | |
Performing Inferiority: Shakespeare's Lesser Plays in the Twentieth Century | 60 | |
Notes on the "Elizabethan" Avant-Garde | 75 | |
The Suffrage Shrew: The Shakespeare Festival, "A Man's Play," and New Women | 85 | |
Shakespeare and Joyce: Myriadminded Men | 103 | |
Orson Welles's Othello: Shakespeare Meets Film Noir | 113 | |
Civil Wars in the Rehearsal Room: Conflicting Theories in Collaborative Praxis | 125 | |
Politicized with a Vengeance: East European Uses of Shakespeare's Great Tragedies | 137 | |
Wooing in Festival Terms: Sonneteering Lovers, Rock, and Blues | 148 | |
Shakespeare and the Musical | 157 | |
Recent Australian Shrews: The "Larrikin Element" | 168 | |
"Welcome to Dreamland": Performance Theory, Postcolonial Discourse, and the Filming of A Midsummer Night's Dream in Angela Carter's Wise Children | 183 | |
"I've processed my guilt": Shakespeare, Branagh, and the Movies | 194 | |
Shakespeare in the Twentieth Century: Finding a Way Out | 215 | |
Skepticism as Iconoclasm: The Saturation of the Shakespearean Text | 231 | |
Hypertext as Editorial Horizon | 248 | |
Feeling Bodies | 258 | |
Iris's "Rich Scarf" and "Ariachne's Broken Woof": Shakespeare's Mythology in the Twentieth Century | 280 | |
Shakespeare's Dogs | 294 | |
The Silent Speech of Shakespeare's Sonnets | 314 | |
Shakespeare's Historicism: Visions and Revisions | 336 | |
Reading Hamlet in Japan | 350 | |
Why Should We Call Her Whore? Bianca in Othello | 364 | |
Rereading Shakespeare's Timon of Athens at the fin de siecle | 378 | |
Gender, Class, and Race in Japanese Translations of Shakespeare | 390 | |
App. A | Complete List of Papers from the Program of the Congress | 403 |
App. B: Seminars, Workshops, Forums, Other Sessions, and Their Leaders | 407 | |
Contributors | 410 | |
Index | 415 |
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Add Shakespeare and the Twentieth Century: The Selected Proceedings of the International Shakespeare Association World Congress, Los Angeles, 1996, In close to fifty sessions, the congress theme - Shakespeare and the Twentieth Century - allowed for critical approaches from many directions: through twentieth-century theater history on almost every continent; through a range of media representations , Shakespeare and the Twentieth Century: The Selected Proceedings of the International Shakespeare Association World Congress, Los Angeles, 1996 to the inventory that you are selling on WonderClubX
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Add Shakespeare and the Twentieth Century: The Selected Proceedings of the International Shakespeare Association World Congress, Los Angeles, 1996, In close to fifty sessions, the congress theme - Shakespeare and the Twentieth Century - allowed for critical approaches from many directions: through twentieth-century theater history on almost every continent; through a range of media representations , Shakespeare and the Twentieth Century: The Selected Proceedings of the International Shakespeare Association World Congress, Los Angeles, 1996 to your collection on WonderClub |