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Book Categories |
Maps | ||
Acknowledgements | ||
Preface | ||
Foreword | ||
Introduction: Historicizing Flora Nwapa | 1 | |
Tribute(s) to Flora Nwapa | ||
"Ivory Befits Her Ankles" | 28 | |
"Nwayi oma, biko nodu nma" | 29 | |
"Your Golden Words" | 32 | |
"Dirge to Flora Nwapa" | 34 | |
"Demirifa Due" | 37 | |
"The Trees at Home Are Falling Down" | 39 | |
"Flora Nwapa: A Pioneer African Female Voice Is Silenced!" | 41 | |
Pt. 1 | Igbo Women: Culture and Literary Enterprise | |
Myth, History, Culture, and Igbo Womanhood in Flora Nwapa's Novels | 51 | |
Flora Nwapa and Uhammiri/Ogbuide, The Lake Goddess: An Evolving Relationship | 77 | |
The Mythic World in Flora Nwapa's Early Novels | 111 | |
"The Empire, Far Flung": Flora Nwapa's Critique of Colonialism | 127 | |
Not Feminist but Afracentrist: Flora Nwapa and The Politics of African Cultural Production | 143 | |
Efuru and Idu: Rejecting Women's Subjugation | 161 | |
Breaking Through: The Publishing Enterprise of Flora Nwapa | 189 | |
Pt. 2 | (Re)Casting Gender Relations: Nigerian Women in the Colonial and Post-Colonial Experience | |
Applauding A "Dangerous Luxury": Flora Nwapa's Womanist Re-Interpretation of The Ifo about the "Handsome Stranger" | 205 | |
Space for The Subaltern: Flora Nwapa's Representation and Re-Presentation of Heroinism | 223 | |
Nigerian Women in Search of Identity: Converging Feminism and Pragmatism | 241 | |
Woman, The Self-Celebrating Heroine: The Novels of Flora Nwapa | 261 | |
Bearing The Burden of Change: Colonial and Post-Colonial Experiences in Flora Nwapa's Women Are Different | 277 | |
Shifting Paradigms of Profit and Loss: Men in Flora Nwapa's Fiction | 291 | |
The Lake Goddess: The Roots of Nwapa's Word | 335 | |
Pt. 3 | Aesthetics and Poetics in Nwapa's Canon | |
Portrait of Flora Nwapa As A Dramatist | 357 | |
Evading Canonical Constraints: The 'Popular' As An Alternative Mode - The Case of Flora Nwapa | 391 | |
"To the Root/of Dear Cassava": Rhetorical Style in Flora Nwapa's Poetry | 411 | |
Never A Gain? A Critical Reading of Flora Nwapa's Never Again | 429 | |
Flora Nwapa's This is Lagos: Valorizing The Female Through Narrative Agency | 441 | |
Vision and Revision: Flora Nwapa and The Fiction of War | 477 | |
Orality and Metaphoric Dichotomy of Subject in The Poetry of Flora Nwapa's Cassava Song and Rice Song | 497 | |
Pt. 4 | The Body Politic: Locating Female Sexuality | |
Religion, Sexuality, and Women's Empowerment in Nwapa's The Lake Goddess | 515 | |
The Quest for Spiritual/Sexual Fulfillment in Flora Nwapa's Efuru and The Lake Goddess | 531 | |
Desire, The Private, and The Public in Flora Nwapa's Efuru and One Is Enough | 549 | |
Pt. 5 | (Re)configurations of Child Symbolism | |
Conquerors of The Universe: Flora Nwapa's Kiddies on The Move | 571 | |
Flora Nwapa's Legacy to Children's Literature | 583 | |
Flora Nwapa's Writings for Children: Visions of Innocence and Regeneration | 589 | |
"Either Pound in the Mortar or Pound on the Ground:" Didacticism in Flora Nwapa's Children's Books | 607 | |
Pt. 6 | Conversation(s) with Flora Nwapa | |
An Interview with Flora Nwapa | 633 | |
A Chat with Flora Nwapa | 655 | |
The Poetics of Economic Independence for Female Empowerment: An Interview with Flora Nwapa | 661 | |
Chronology of Flora Nwapa's Life and Works | 673 | |
Bibliography of Critical Works on Flora Nwapa | 681 | |
Notes on Contributors | 697 | |
Permissions | 703 | |
Index | 705 |
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