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Introduction | ||
Editorial Note and Acknowledgements | ||
List of Contributors | ||
Abbreviations | ||
L'oeuvre de Chretien de Troyes dans une perspective comparatiste | 1 | |
National Perspectives on Originality and Translation: Chretien de Troyes and Hartmann von Aue | 9 | |
verligen und versitzen: Das Versaumnis des Helden und die Sunde der Tragheit in den Artusromanen Hartmanns von Aue | 19 | |
Aspects of Knighthood in Hartmann's Adaptations of Chretien's Romances and in the Social Context | 37 | |
The Heroine's Loyalty in Hartmann's and Chretien's Erec | 57 | |
Adapting Enide: Chretien, Hartmann, and the Female Reader | 67 | |
Chretien, Hartmann, and the Knight as Fighting Man: On Hartmann's Chivalric Adaptation of Erec et Enide | 85 | |
Cliges in Deutschland | 111 | |
Zu den Schwierigkeiten der Lancelot-Rezeption in Deutschland | 121 | |
Die Konzeption der Artusfigur bei Chrestien und in Ulrichs Lanzelet: Missverstandnis, Kritik oder Selbstandigkeit? Ein Diskussionsbeitrag | 137 | |
Iwein and Yvain: Adapting the Love Theme | 151 | |
rehte guete als wahrscheinlich gewisse lere: Topische Argumente fur eine Schulmaxime in Hartmanns Iwein | 165 | |
Der aventiure bilde nemen: The Intellectual and Social Environment of the Iwein Murals at Rodenegg Castle | 219 | |
Wolfram von Eschenbach vor dem Conte du Graal | 229 | |
Heteroglossia and Clerical Narrative: On Wolfram's Adaptation of Chretien | 241 | |
Dialogic Transpositions: The Grail Hero Wins a Wife | 257 | |
Clinschor. Wolfram's Adaptation of the Conte du Graal: The Schastel Marveile Episode | 277 | |
Versuch einer vergleichenden Asthetik: Die Kunst des Portrats bei Chretien und einigen deutschen Bearbeitern des 12. und 13. Jahrhunderts | 295 | |
Guillaume d'Angleterre, Gute Frau, Wilhelm von Wenden: Zur Beschaftigung mit dem Eustachius-Thema in Frankreich und Deutschland | 311 | |
Index | 331 |
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Add Chretien De Troyes And The German Middle Ages, The pre-eminent role of Chrétien de Troyes in the formation of Arthurian romance is reflected in the swift and brilliant response of German courtly poets to his works. Within a few years of their composition, Erec et Enide and Yvain were adapted for Germa, Chretien De Troyes And The German Middle Ages to the inventory that you are selling on WonderClubX
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Add Chretien De Troyes And The German Middle Ages, The pre-eminent role of Chrétien de Troyes in the formation of Arthurian romance is reflected in the swift and brilliant response of German courtly poets to his works. Within a few years of their composition, Erec et Enide and Yvain were adapted for Germa, Chretien De Troyes And The German Middle Ages to your collection on WonderClub |