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List of Contributors | ||
Introduction | 1 | |
1 | Vanishing Americans: Racial and Ethnic Issues in the Interpretation and Context of Post-war 'Pro-Indian' Westerns | 8 |
2 | Photographing the Indian | 29 |
3 | The Professional Western: South of the Border | 46 |
4 | Wider Horizons: Douglas Fairbanks and Nostalgic Primitivism | 63 |
5 | 'Our Country'/Whose Country? The 'Americanisation' Project of Early Westerns | 77 |
6 | Dixie Cowboys and Blue Yodels: The Strange History of the Singing Cowboy | 96 |
7 | 'Sixty Million Viewers Can't Be Wrong': The Rise and Fall of the Television Western | 119 |
8 | Finding a New Heimat in the Wild West: Karl May and the German Western of the 1960s | 141 |
9 | John Ford and Monument Valley | 160 |
10 | Magazine Advertising and the Western | 170 |
11 | The Fantasy of Authenticity in Western Costume | 172 |
12 | The New Western American Historiography and the Emergence of the New American Westerns | 182 |
13 | The Twelve Custers, or, Video History | 197 |
Index | 214 |
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Add Back in the Saddle Again : New Essays on the Western, The Western is the most important genre in American cinema. Though the production of films may have declined since the 1960s, the Western's influence has spread worldwide, and far beyond the movies. Recently the New Western History, attempting to put the , Back in the Saddle Again : New Essays on the Western to the inventory that you are selling on WonderClubX
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Add Back in the Saddle Again : New Essays on the Western, The Western is the most important genre in American cinema. Though the production of films may have declined since the 1960s, the Western's influence has spread worldwide, and far beyond the movies. Recently the New Western History, attempting to put the , Back in the Saddle Again : New Essays on the Western to your collection on WonderClub |