Framed : Interrogating Disability in the Media Book

	Acknowledgments
	Preface
	Introduction	1
Pt. 1	Cinema Portrayal
1.1	Everywhere: Disability on Film	10
1.2	Black Hats and Twisted Bodies	16
1.3	A Feminist Perspective	21
1.4	Gump and Co	31
1.5	Eye Witness	36
1.6	Deafness and the Film Entertainment Industry	43
1.7	Disability on Sale 1: Four Weddings and a Funeral (An interview with Richard Curtis)	49
1.8	Disability on Sale 2: The Writer and the Producer (Interviews with Sir David Puttnam and Richard Curtis)	53
Pt. 2	Television - Fact and Fiction
2.1	Window on the World (Almost!)	61
2.2	For Generations to Come	69
2.3	Soaps: The Story So Far	73
2.4	Crippling Images	79
2.5	Disability and Documentary	84
2.6	A Family at War	93
2.7	The Signs for Deaf TV (An interview with Terry Riley)	98
Pt. 3	Opening Doors: Performance, Production and Training
	Performance
3.1	I Could Do Your Job	106
3.2	Doors to Performance and Production	110
3.3	Pandora's Box	117
3.4	To Eldorado and Back	123
3.5	All the World's a Stage	126
	Production
3.6	'The Only Cripple in the Room'	130
3.7	'Sorry, I Can't Make the Tea!'	135
	Training
3.8	Television Training for Deaf People	141
3.9	Getting into Video	144
3.10	Funding the Starters	147
Pt. 4	Culture and Identity
4.1	Disability Arts and Disability Politics	159
4.2	Broken Arts and Cultural Repair: The Role of Culture in the Empowerment of Disabled People	160
4.3	A Proud Label	166
4.4	Searching for Disability Arts	171
4.5	Thoughts on Disability Arts	173
4.6	Heart 'n' Soul	176
4.7	Signs of Definitions	179
4.8	So You Want to Look?	182
4.9	Black and Disabled in the Arts	184
4.10	Survivors	187
4.11	Defining Disabled People	191
4.12	The Disabled Audience: A Television Survey	193
Pt. 5	Product and Control
5.1	Controlling Interests	209
5.2	Whose Film?	214
5.3	Whose Project?	217
5.4	Whose Video?	219
5.5	Whose Festival?	222
5.6	Whose Conference?	224
5.7	Media Guidelines	228
5.8	Rights of Access	234
	Select Bibliography	241
	Select Filmography and List of Programmes	243
	Index	245