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Acknowledgments | ||
Introduction | 1 | |
1 | Historical Feature Film 1933-39: Political Constraints | 8 |
2 | Korda and Balcon: Aristocratic and Bourgeois Symbolism | 20 |
3 | Dean, Wilcox and Others: The Politics of the Marketplace | 39 |
4 | Lowbrow and Middlebrow Responses in the 1930s | 56 |
5 | Highbrow Interventions: The Historical Association and its Friends | 64 |
6 | Official Histories in the War Years | 77 |
7 | Commercial Film Production and History 1939-45 | 95 |
8 | A Middle-class View of History: Ealing 1939-49 | 109 |
9 | History and the Working Class: Gainsborough 1942-50 | 119 |
10 | Wartime and Postwar Responses to Historical Film | 136 |
11 | The Postwar Period: Contexts and Constraints | 147 |
12 | Monopoly and History: Rank Films 1945-50 | 154 |
13 | A Fossilised History: Independent Producers 1945-50 | 170 |
Conclusion | 181 | |
Notes | 189 | |
Select Bibliography | 219 | |
Filmography | 223 | |
Index | 233 |
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