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| Preface | ||
| Introduction of Women's Studies in the University Curricula in India | 3 | |
| Feminist Movements in China | 15 | |
| Constructing the Guardian Mothers: A Note on the Representation of Women in Indonesia's New Order | 29 | |
| "Postmodern" Colonialisms and the Emancipatory Challenge of I, Rigoberta Menchu: An Indian Woman in Guatemala | 36 | |
| Poems | 57 | |
| The Empire Writes Back: Bharati Mukherjee's Jasmine as Post-Colonial Feminist Text | 63 | |
| Reinventing the Authorial/Ethnic Space: Communal Narratives in Agnes Rossi's Split Skirt | 90 | |
| Salman Rushdie's The Satanic Verses as a Feminist Novel | 103 | |
| Confronting Ovid: Christine De Pizan's Representation of Women | 109 | |
| Out from Qing Boudoirs: Songs by a Merchant-Class Lesbian and a Hypergynous Manchu | 121 | |
| A Consummation Devourly to be Wished: Representations of Anorexia in Angela Carter's "The Lady of the House of Love" | 140 | |
| Poems | 146 | |
| Sexual Politics and Sexual Poetics in Kurahashi Yumiko's Cruel Fairy Tales for Adults | 150 | |
| Fleur Pillager: Feminine, Mythic, and Natural Representations in Louise Erdrich's Tracks | 159 | |
| Acculturation Beyond Recognition: Lin Shu's Treatment of Women Characters in His Translation of David Copperfield | 170 | |
| Foreign Exotic or Domestic Drudge? The African-American Woman in Quicksand and Tar Baby | 182 | |
| Autobiographizing Fiction? Fictionalizing Autobiography?: A Contemporary Japanese Woman's Experimentation with Meta-Autobiography | 194 | |
| Working Haole House | 207 | |
| Performance of Self: The Autobiographical Function of the "Other" in Without You I'm Nothing | 223 | |
| Jumping Fences and Codes of Silence: A Horsewoman's Tale | 234 | |
| Constructing Women as Agents of Non-Change: Motherhood and Nationhood in Japanese Popular Song | 240 | |
| Poems | 250 | |
| Rehearsing Revolutions in Gender Identity | 255 | |
| Valley of the Dolls' House: Split Britches Did it with Feminism in the Sitting Room | 274 | |
| The Women of Edward Sakamoto's Trilogy: Hawai'i No Ka 'Oi | 286 | |
| Seen and Unseen Women of Moscow Theatre | 292 | |
| Tensile Strength: Carol Fisher Sorgenfrei, Theatrical Fusion, and the Women of the Western Canon | 304 | |
| The Role of Women in the Traditional Theatre of Japan | 310 | |
| Noh Women Aloud: Finding a Feminist Voice and Noh Theatre | 315 | |
| The Gay Quarters of Sukeroku: The Glorification of Prostitution in Kabuki | 321 | |
| Poems | 326 | |
| About the Contributors | 331 | |
| About the Editors | 336 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Jesse Morgan
reviewed Constructions and confrontations on June 06, 2014
Constructions and confrontations
Too much po-mo theory and not enough iron for me.
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Add Constructions and confrontations, Feminism has proved to be a major force behind social change all over the world. yet, the very idea of introducing women's studies studies as an autonomous discipline in the university curricula faces reservation, even resistance and hostility. This parti, Constructions and confrontations to the inventory that you are selling on WonderClubX
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Add Constructions and confrontations, Feminism has proved to be a major force behind social change all over the world. yet, the very idea of introducing women's studies studies as an autonomous discipline in the university curricula faces reservation, even resistance and hostility. This parti, Constructions and confrontations to your collection on WonderClub |