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Introduction | ||
I | Black and White in the United States | |
Talking B(l)ack: Parrots, Terrorists, and the Function of "Niggerizing" in America | 3 | |
'Making the Faces Black': The African-American Detective Novel | 26 | |
Decoding for Race: Toni Morrison's 'Recitatif' and Being White, Teaching Black | 41 | |
Sentimental Racism in Recent Films | 47 | |
II | East and West in the United States | |
Exorcism Repositioned: Old and New World Pleasures in Wang's Joy Luck Club and Lee's Eat Drink Man Woman | 59 | |
Film and Multiculturalism: Erasing Race in Nancy Kelly's Thousand Pieces of Gold | 75 | |
Those Unsettling Slavs, or There's No Place Like Home | 98 | |
III | Canadian Multiculturalism | |
Reading Between the Poles: The "English" French-Canadian Canon | 113 | |
Minorities of the Canadian West in the Work of Gabrielle Roy | 131 | |
Nanabush's Return: Cultural Messianism in Tomson Highway's Plays | 143 | |
IV | Asian and Pacific Minorities | |
Stigma, Stigmata: Apotheosis of the Hibakusha | 159 | |
Objectivity or Objectification? | 168 | |
Balance and Bias in Racial and Ethnic Imagery in Philippine Literature | 173 | |
Representations of the Isan, an Important Minority in Thailand | 188 | |
Changing Representations of Minorities East and West: The Aborigine in the Novels of Patricia Wrightson | 197 | |
(Dis)articulating Identity, Language, Culture, and Territory in Six Contemporary Anglo-Quebec Short Stories | 212 | |
Conjuring the Native in Redemptive Filipino Memoirs | 233 | |
About the Contributors | 253 | |
About the Editors | 257 |
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