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Rhythm in drama Book

Rhythm in drama
Rhythm in drama, An excellent book for the philosopher, the drama theorist, the theatre goer, and most especially for the actor and director. . . . The reader of Rhythm in Drama will have a more precise and more useful idea of what rhythm means to drama. It should be used, Rhythm in drama has a rating of 3 stars
   2 Ratings
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Rhythm in drama, An excellent book for the philosopher, the drama theorist, the theatre goer, and most especially for the actor and director. . . . The reader of Rhythm in Drama will have a more precise and more useful idea of what rhythm means to drama. It should be used, Rhythm in drama
3 out of 5 stars based on 2 reviews
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  • Rhythm in drama
  • Written by author Kathleen George
  • Published by Pittsburgh, Pa. : University of Pittsburgh Press, c1980., 1980/12/01
  • An excellent book for the philosopher, the drama theorist, the theatre goer, and most especially for the actor and director. . . . The reader of Rhythm in Drama will have a more precise and more useful idea of what rhythm means to drama. It should be used
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An excellent book for the philosopher, the drama theorist, the theatre goer, and most especially for the actor and director. . . . The reader of Rhythm in Drama will have a more precise and more useful idea of what rhythm means to drama. It should be used as a supplemental handbook for training actors and directors."--Theatre Journal


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Rhythm in drama, An excellent book for the philosopher, the drama theorist, the theatre goer, and most especially for the actor and director. . . . The reader of Rhythm in Drama will have a more precise and more useful idea of what rhythm means to drama. It should be used, Rhythm in drama

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Rhythm in drama, An excellent book for the philosopher, the drama theorist, the theatre goer, and most especially for the actor and director. . . . The reader of Rhythm in Drama will have a more precise and more useful idea of what rhythm means to drama. It should be used, Rhythm in drama

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Rhythm in drama, An excellent book for the philosopher, the drama theorist, the theatre goer, and most especially for the actor and director. . . . The reader of Rhythm in Drama will have a more precise and more useful idea of what rhythm means to drama. It should be used, Rhythm in drama

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