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| Pt. 1 | Literature | 1 |
| The European heritage | 3 | |
| Virgil | 5 | |
| 1 | Virgil stuff | 7 |
| 2 | The ending of the Aeneid | 77 |
| Dante | 85 | |
| 3 | An old French source for Ugolino? | 87 |
| 4 | Figurality in the Vita Nuova : Dante's new rhetoric | 109 |
| 5 | On the role of rhetoric in the Convivio | 129 |
| 6 | Paradiso 28 : the status of astronomy | 161 |
| 7 | On the poetics of purgatory | 177 |
| 8 | Virgil 'Come la Madre' and Beatrice 'Questi Ammiraglio' | 191 |
| Petrarch | 201 | |
| 9 | The adynaton in Petrarch's Sestinas | 203 |
| 10 | The Petrarchan selva revisited : Sestina XXII | 225 |
| 11 | Anxiety of influence in Petrarch | 243 |
| Provencal | 251 | |
| 12 | The figure of the watchman in the Provencal erotic alba | 253 |
| 13 | The Provencal Trobairitz and the limits of courtly love | 289 |
| 14 | "Fols naturaus" : the born fool as literary type | 303 |
| 15 | The decline of joi in the Provencal planh | 309 |
| American and comparative literature | 331 | |
| 16 | John Ashbery : the new spirit | 333 |
| 17 | Notes on Nabokov's Lolita and Pnin | 349 |
| 18 | How narrators report speech | 435 |
| 19 | The primacy of poetry in the Orlando Furioso and Don Quixote | 451 |
| Pt. 2 | Semiotics | 455 |
| 20 | Preliminaries to a semiotics of ballet | 457 |
| 21 | The semiotics of Archie Bunker | 471 |
| 22 | The trinity as semiotic | 495 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
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From the Critic's Workbench: Essays in Literature and Semiotics
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Add From the Critic's Workbench: Essays in Literature and Semiotics, This book comprises twenty-two chapters, including previously unpublished material, written over the entire span of Marianne Shapiro's working life. Its opening section on the European heritage begins with a long essay on the Aeneid that breaks new interp, From the Critic's Workbench: Essays in Literature and Semiotics to the inventory that you are selling on WonderClubX
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Add From the Critic's Workbench: Essays in Literature and Semiotics, This book comprises twenty-two chapters, including previously unpublished material, written over the entire span of Marianne Shapiro's working life. Its opening section on the European heritage begins with a long essay on the Aeneid that breaks new interp, From the Critic's Workbench: Essays in Literature and Semiotics to your collection on WonderClub |