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| Acknowledgments | ||
| Introduction | ||
| Ch. 1 | Patriarchy and the (Western) Patriarchal Impulse | 3 |
| Shifts and Transformations | 6 | |
| Top Girls as a Document of a Foucauldian Episteme (c. Ninth-Century C.E. to 1980) Characterized by The Patriarchal Impulse | 8 | |
| Off the Mainstream Stages: The Formation of Black Lesbian Subjectivity in 1980s British Dramatic Discourse. Chiaroscuro (1986) | 16 | |
| The Feminist Epistemic Transgression (Transformation in Discourse) | 24 | |
| Fragmenting the Western Male-Gendered Theatrical grand recit: Blue Heart - Heart's Desire and Blue Kettle | 27 | |
| Ch. 2 | Effecting a Rupture with Male Dramatic Discourse: Caryl Churchill | 37 |
| Feminism and 'The System': The Early Reaction - Owners | 38 | |
| Domestic Colonialism: Empire, Patriarchy, Family; Race, Gender, Sexuality - Cloud Nine | 40 | |
| A Collective Enterprise: Feminism in Theatre as a Consciously Counter-Normative Practice - Monstrous Regiment and Vinegar Tom | 52 | |
| Vinegar Tom's Women are the Contemporary Women of Fen | 56 | |
| Politics and War: Light Shining in Buckinghamshire and Mad Forest | 58 | |
| The Surveillance Machine: Softcops and Icecream | 68 | |
| The Capitalist Machine: Serious Money | 72 | |
| Capitalism and Schizophrenia: The Skriker as Oedipus and Anti-Oedipus | 77 | |
| Ch. 3 | White Women's Mythologies: Pam Gems | 85 |
| Queen Christina: Identity Politics | 87 | |
| Courtesan/Hetaira/Whore: Camille, Piaf, Stas | 100 | |
| Ch. 4 | From Hetero-Normativity to the View from Lesbos: Through the Looking Glass | 119 |
| The Feminist-Lesbian Appropriation of a Genre: Melodrama | 122 | |
| More Dragged out of the British Closet: Beside Herself | 136 | |
| Master/Pieces | 140 | |
| The Rites of/the Rights of Birth: Byrthrite | 149 | |
| Ch. 5 | Soliloquizing Woman: Clare McIntyre and Anne Devlin's Subjects of Desire | 155 |
| The Female Subject and the Soliloquy/Monologue | 156 | |
| A Theatre in Exile: Anne Devlin's Subjects with Agency | 165 | |
| Ch. 6 | Recapitulation | 177 |
| App | Plays & Dates | 179 |
| Notes | 183 | |
| Bibliography | 211 | |
| Index | 219 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Richard Kraft
reviewed Breaking the bounds on November 07, 2016
Breaking the bounds
I was fortunate enough to find an early edition of this in 1989, a month or two after I was struck down with Chronic Fatigue Syndrome. I credit this book with helping me turn the tide, and allowing me to lead a "normal" life again.
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Add Breaking the bounds, Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's i, Breaking the bounds to the inventory that you are selling on WonderClubX
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Add Breaking the bounds, Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's i, Breaking the bounds to your collection on WonderClub |
