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Acknowledgments | ||
Introduction | 1 | |
Ch. 1 | Gordon Craig's Depersonalized Stage | 13 |
Ch. 2 | Brecht and the Social Self | 48 |
Ch. 3 | Character Portraits/Portraying Character: Krapp's Last Tape, Rockaby, Catastrophe | 75 |
Ch. 4 | Mental Life in Thomas Bernhard's Comic Types | 108 |
Ch. 5 | The Characters of Maria Irene Fornes: Public and Private Identities | 155 |
Afterword: Abstract Art and the Representation of Character | 182 | |
Notes | 187 | |
Works Cited | 209 | |
Index | 219 |
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Add Missing Persons, In the hands of the twentieth century's most innovative dramatists, characters have revealed their identities on stage in a variety of unconventional ways: they speak with electronic voices or engage in solipsistic monologues; they are lost in self-consci, Missing Persons to the inventory that you are selling on WonderClubX
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Add Missing Persons, In the hands of the twentieth century's most innovative dramatists, characters have revealed their identities on stage in a variety of unconventional ways: they speak with electronic voices or engage in solipsistic monologues; they are lost in self-consci, Missing Persons to your collection on WonderClub |