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| Acknowledgments | ||
| Abbreviations | ||
| Introduction: Overreaching the Medium | 1 | |
| 1 | Melodrama, Novelization, and the Modern Stage | 9 |
| 2 | Novelizing the Melodramatic Hero: The Example of Napoleon | 48 |
| 3 | Marrying the Word to Life | 87 |
| 4 | The Spare Room: Long Day's Journey into Night | 124 |
| 5 | Writing on the Wall: The Iceman Cometh and the Crisis of History | 154 |
| Hughie: By Way of Postscript | 181 | |
| Notes | 193 | |
| Works Cited | 223 | |
| Index | 233 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Raymond Dzik
reviewed The inner strength of opposites on December 30, 2019
The inner strength of opposites
It's a great nuts and bolts guide to writing the ten-minute play and explaining how theatricality can (and should!) exist in it. It doesn't have specified lists and other charts so you'll have to just read the information. Still worth the read!
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Add The inner strength of opposites, In an age dominated by the novel, Eugene O'Neill (1888-1953) emerged as America's first great modern playwright. His work has long been characterized as novelistic and melodramatic, but until now neither of these attributes has been adequately explored, m, The inner strength of opposites to the inventory that you are selling on WonderClubX
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Add The inner strength of opposites, In an age dominated by the novel, Eugene O'Neill (1888-1953) emerged as America's first great modern playwright. His work has long been characterized as novelistic and melodramatic, but until now neither of these attributes has been adequately explored, m, The inner strength of opposites to your collection on WonderClub |