|
|
Sold Out
Book Categories |
List of Illustrations ix
Foreword Paolo Cherchi Usai xiii
Acknowledgments xv
Introduction 1
1 The Colors of Modernity 17
2 Hand Coloring and the Intermediality of Cinema 37
3 Transformation and Uplift: Stenciling, Tinting, and Toning 76
4 Color Cinema, from Gentility to Abstraction 123
Conclusion 148
Notes 153
Selected Bibliography 175
Index 185
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Login|Complaints|Blog|Games|Digital Media|Souls|Obituary|Contact Us|FAQ
CAN'T FIND WHAT YOU'RE LOOKING FOR? CLICK HERE!!! X
You must be logged in to add to WishlistX
This item is in your Wish List
X
This item is in your Collection
Moving Color: Early Film, Mass Culture, Modernism
X
This Item is in Your Inventory
Moving Color: Early Film, Mass Culture, Modernism
X
You must be logged in to review the productsX
X
X
Add Moving Color: Early Film, Mass Culture, Modernism, Color was used in film well before The Wizard of Oz. Thomas Edison, for example, projected two-colored films at his first public screening in New York City on April 23, 1896. These first colors of early cinema were not photographic; they were appli, Moving Color: Early Film, Mass Culture, Modernism to the inventory that you are selling on WonderClubX
X
Add Moving Color: Early Film, Mass Culture, Modernism, Color was used in film well before The Wizard of Oz. Thomas Edison, for example, projected two-colored films at his first public screening in New York City on April 23, 1896. These first colors of early cinema were not photographic; they were appli, Moving Color: Early Film, Mass Culture, Modernism to your collection on WonderClub |