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Acknowledgments | ||
Introduction: Religious Syncretism and Caribbean Culture | 1 | |
Vodoun, or the Voice of the Gods | 13 | |
Women Possessed: Eroticism and Exoticism in the Representation of Woman as Zombie | 37 | |
"I Am Going to See Where My Oungan Is": The Artistry of a Haitian Vodou Flagmaker | 59 | |
La Regla de Ocha: The Religous System of Santeria | 79 | |
From The Sacred Wild to the City: Santeria in Cuba Today | 101 | |
From Monkey Tales to Cuban Songs: On Signification | 122 | |
Ifa and Interpretation: An Afro-Caribbean Literary Practice | 151 | |
Romantic Voodoo: Obeah and British Culture, 1797-1807 | 171 | |
"An Article of Faith": Obeah and Hybrid Identities in Elizabeth Nunez-Harrell's When Rocks Dance | 195 | |
"Another Poor Devil of a Human Being...": Jean Rhys and the Novel as Obeah | 216 | |
The Shaman Woman, Resistance, and the Powers of Transformation: A Tribute to Ma Cia in Simone Schwarz-Bart's The Bridge of Beyond | 231 | |
Sorcerers, She-Devils, and Shipwrecked Women: Writing Religion in French-Caribbean Literature | 248 | |
Trans-Caribbean Identity and the Fictional World of Mayra Montero | 267 | |
Glossary | 283 | |
Works Cited | 289 | |
Notes on Contributors | 301 | |
Index | 305 |
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