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Preface | ||
Introduction | 1 | |
1 | Charles Chesnutt, The Marrow of Tradition | 15 |
2 | Richard Wright, Native Son | 28 |
3 | Ralph Ellison, Invisible Man | 40 |
4 | James Baldwin, Go Tell It on the Mountain | 52 |
5 | LeRoi Jones [Imamu Amiri Baraka]. The System of Dante's Hell | 64 |
6 | Toni Morrison, Sula | 74 |
7 | Gloria Naylor, The Women of Brewster Place | 88 |
Notes | 103 | |
Bibliography | 107 | |
Index | 111 |
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Add The apocalypse in African-American fiction, Creative, original, and vigorous. . . . The selected pieces represent a breadth of works by novelists considered touchstones in African-American literature.--Emma Waters Dawson, Florida A&M University An interesting twist in interpretation of a, The apocalypse in African-American fiction to the inventory that you are selling on WonderClubX
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Add The apocalypse in African-American fiction, Creative, original, and vigorous. . . . The selected pieces represent a breadth of works by novelists considered touchstones in African-American literature.--Emma Waters Dawson, Florida A&M University An interesting twist in interpretation of a, The apocalypse in African-American fiction to your collection on WonderClub |