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Book Categories |
Preface | ||
List of Editions and Abbreviations | ||
Introduction: The Fate of the Audience | 1 | |
1 | Metamorphosis in the Reader | 8 |
2 | The Fiction of Viva-Voce Performance | 34 |
3 | The Divided Audience | 66 |
4 | Assembling an Audience | 94 |
5 | Discourse and Time | 117 |
6 | Directions to the Audience | 140 |
7 | The Danger of Disbelief | 162 |
8 | Translating Past into Present | 194 |
App. A | Internal Narrators and Audiences in the Metamorphoses | 207 |
App. B | Generalizing Second Person Singular | 211 |
Notes | 213 | |
References | 241 | |
Acknowledgments | 259 | |
Index Locorum | 261 | |
General Index | 265 |
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Add A Discourse of Wonders : Audience and Performance in Ovid's Metamorphoses, In A Discourse of Wonders, Stephen M. Wheeler introduces a fresh perspective for readers of Ovid's Metamorphoses. Drawing on Ovidian scholarship and twentieth-century literary theory, he argues that the poem is not an anthology or collection, A Discourse of Wonders : Audience and Performance in Ovid's Metamorphoses to the inventory that you are selling on WonderClubX
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Add A Discourse of Wonders : Audience and Performance in Ovid's Metamorphoses, In A Discourse of Wonders, Stephen M. Wheeler introduces a fresh perspective for readers of Ovid's Metamorphoses. Drawing on Ovidian scholarship and twentieth-century literary theory, he argues that the poem is not an anthology or collection, A Discourse of Wonders : Audience and Performance in Ovid's Metamorphoses to your collection on WonderClub |