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| Notes on the Editors and Contributors | ||
| Preface | ||
| Prologue: 'After Prospero' | ||
| I | Local Knowledge | |
| 1 | 'Baseless Fabric': London as a 'World City' | 13 |
| 2 | 'Knowing I loved my books': Reading The Tempest Intertextually | 27 |
| 3 | The Ship Adrift | 37 |
| 4 | Wild Waters: Hydraulics and the Forces of Nature | 41 |
| 5 | Trinculo's Indian: American Natives in Shakespeare's England | 49 |
| 6 | The Enchanted Island: Vicarious Tourism in Restoration Adaptations of The Tempest | 60 |
| II | European and Mediterranean Crossroads | |
| 7 | The Italy of The Tempest | 78 |
| 8 | 'The foul witch' and Her 'freckled whelp': Cricean Mutations in the New World | 97 |
| 9 | Re-Engineering Virgil: The Tempest and the Printed English Aeneid | 114 |
| 10 | The Mediterranean and Shakespeare's Geopolitical Imagination | 121 |
| 11 | Carthage and Tunis, The Tempest and Tapestries | 132 |
| 12 | Island Logic | 138 |
| Cesaire's Une tempete at The Gate | 149 | |
| Otra Tempestad at The Globe | 157 | |
| Tempest(s) at Terra Nova Theatre Institute | 162 | |
| III | Transatlantic Routes | |
| 13 | The Figure of the New World in The Tempest | 180 |
| 14 | 'This island's mine': Caliban and Native Sovereignty | 202 |
| 15 | Arielismo and Anthropophagy: The Tempest in Latin America | 212 |
| 16 | Reading from Elsewhere: George Lamming and the Paradox of Exile | 220 |
| 17 | Maintaining the State of Emergence/y: Aime Cesaire's Une tempete | 236 |
| 18 | H.D.'s 'The Tempest' | 250 |
| 19 | Hogarth and the Canecutter | 257 |
| Envoy: 'The Word - In the Beginning' | 265 | |
| References | 269 | |
| Further Reading | 308 | |
| Acknowledgments | 312 | |
| Photographic Acknowledgements | 313 | |
| Index | 314 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Jason Sperry
reviewed The Tempest and Its Travels on January 23, 2018
The Tempest and Its Travels
When money controls life, everything even honor will have a price
a comedy play by the english playwright and poet Ben Jonson
the title is from the italian word volpe which means fox
published in 1606, full of conspiracies as the usual of that period
about money and the power of its influence on people
Volpone is cunning villain but he's funny, taking advantage of the greedy fools that they hope to inherit his treasures when he dies
Jonson condemns greed which corrupts senses and morality
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