Up Book

Daniel was tired of being little. Mouse! They'd been calling him that since he was born. He hadn't used to mind it, even liked it once, but not anymore. He poked at some crackers on the table. 'Someday I'll be so strong,' he mumbled. 'Someday . . .'

And then it happened. Something so strange, Daniel wasn't sure he could believe his eyes. One little cracker trembled for a second, then lifted up off the table. Not much. Not even an inch. Then, just as suddenly, it dropped right back down. Daniel blinked. Had that really happened? How? Had he done it?

Up is the story of an ordinary boy with an extraordinary talent, a talent no one knows about but him. Can Mouse really lift things off the ground? Or is it enough that he believes he can? Once again Jim LaMarche has mixed the magical with the everyday to create a book that stretches our imaginations and our dreams.

Publishers Weekly

LaMarche (The Rainbabies) gives his hero just one, strictly limited magical power. Daniel discovers that he can raise things off the ground by looking at them, but "never back and forth. Just up. And that, not much." The youngest son of a fisherman whose livelihood requires strength, he resents his nickname, "Mouse," and chafes at being left home while his brother helps on the boat. But once Daniel realizes he has lifted an oyster cracker with his will alone, he spends hours perfecting his new skill. The story unfolds in a series of cinematically paced scenes. LeMarche shows Daniel close-up as he practices on progressively heavier objects, then provides readers with a big smile a spread of Daniel's dad asleep in the living room, a newspaper across his lap, looking just like any other napping dad, except for the fact that he's hovering inches above the sofa. When a whale is beached near their home, the boy's gift frees the whale and wins Daniel a place on his father's boat. LaMarche's power to draft and tint his compositions appears almost casual; there's nothing, it seems, he can't draw. He depicts all the people and objects in the book, whether on the ground or suspended in mid-air, with the same enthusiastic objectivity. This matter-of-fact quality contributes to the story's magic. Ages 3-8. (Sept.) Copyright 2006 Reed Business Information.