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Foreword | ||
Preface | ||
Introduction: A Memoir | 1 | |
The Hawk | 68 | |
First Rule | 68 | |
Going Home | 69 | |
In My Sixth August | 70 | |
Wild Strawberry | 70 | |
Boston Tea Party | 72 | |
Sacrifice | 77 | |
Osheranoha | 80 | |
12 Moons | 80 | |
Wolf | 80 | |
Red-Tail | 81 | |
Raccoon | 82 | |
Bear | 84 | |
Coyote | 85 | |
Wine Grapes | 86 | |
Listening for the Elders | 87 | |
Brooklyn Pigeon | 89 | |
Graveyards | 89 | |
Deb | 91 | |
Archeologist | 91 | |
Kaherawak's Birthday - July 28 | 92 | |
Handing the Baton | 94 | |
April 22, 1985 | 98 | |
On Second Thought | 98 | |
Heard Poem | 99 | |
George Segal at the Whitney Museum, N.Y.C. | 99 | |
Last Night | 100 | |
The Comet | 101 | |
Young Male | 102 | |
sofky: Seminole Soup | 103 | |
Friendship Days at Akwesasne | 104 | |
Greyhounding to Billings, Montana | 105 | |
Ojibwa | 105 | |
Sea/River | 106 | |
Canyon de Chelly | 108 | |
1/28/81: Fifi | 109 | |
Ghost Dance | 110 | |
Musseling | 110 | |
Oroville High, California | 111 | |
Inuit | 112 | |
Listening to Leslie Silko Telling Stories, NYC 2/8/79 | 112 | |
I Watched Raven Take The Sky | 114 | |
A Partial Explanation | 114 | |
March Reserve | 115 | |
Dogwoods | 116 | |
Cyclist | 117 | |
For Cherokee Marie | 118 | |
Sand Creek, Colorado | 118 | |
Monahsetah | 119 | |
Sacajawea | 120 | |
Fragment | 121 | |
The Yellowstone | 122 | |
Monet | 125 | |
When in Reality | 126 | |
Canyon de Chelly, Return - 1978 | 126 | |
November Sierras, 1976 | 128 | |
Wanda on the Seashore | 129 | |
Basho's Pond | 129 | |
Reading Poems in Public | 130 | |
In the Vines | 134 | |
Citation | 135 | |
Prayer for Philip Deere | 136 | |
Postcard | 139 | |
Winter's End | 144 | |
Walking Woods with Dogs | 145 | |
Tamarack | 147 | |
On the Sunporch - Pre-Dawn | 148 | |
Robert Louis Stevenson Cottage | 149 | |
Mysteries | 150 | |
Dug-Out | 152 | |
I See with My Own Eyes | 172 | |
Icarus | 175 | |
For Brett | 176 | |
Recuerdo | 177 | |
Sunflower | 180 | |
Garden | 180 | |
Still Life | 181 | |
On the Jetty | 182 | |
Essence: I Am the Blood of This Grass | 182 | |
Rain | 187 | |
Blue Jacket | 197 | |
Black Kettle: Fear and Recourse | 217 | |
Preface (1984): Is Summer This Bear | 243 | |
Remembrance: Amiri Baraka | 244 | |
A Remembrance: Willard Motley | 249 | |
In Name Only...: A Review | 257 | |
"I Do Not Waste What Is Wild...": Louis (Little Coon) Oliver | 258 | |
Introducing the Poet to the Man: T.S. Eliot | 260 | |
Proliferation: Isaac Jogues | 262 |
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Add On second thought, As one of the earliest and strongest voices in contemporary American Indian literature, Maurice Kenny has proved himself to be very much a high-steel Iroquois - a Mohawk famed for scaling the heights of New York City and forging a contemporary Native Am, On second thought to the inventory that you are selling on WonderClubX
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Add On second thought, As one of the earliest and strongest voices in contemporary American Indian literature, Maurice Kenny has proved himself to be very much a high-steel Iroquois - a Mohawk famed for scaling the heights of New York City and forging a contemporary Native Am, On second thought to your collection on WonderClub |