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The dramatic monologue Book

The dramatic monologue
The dramatic monologue, In The Dramatic Monologue, Elisabeth A. Howe defines the characteristics of the subject as a genre, clearly differentiating it from the lyric poem. One feature she discusses is the double voice of the dramatic monologue - the reader hears simultaneously t, The dramatic monologue has a rating of 3 stars
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The dramatic monologue, In The Dramatic Monologue, Elisabeth A. Howe defines the characteristics of the subject as a genre, clearly differentiating it from the lyric poem. One feature she discusses is the double voice of the dramatic monologue - the reader hears simultaneously t, The dramatic monologue
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  • The dramatic monologue
  • Written by author Elisabeth A. Howe
  • Published by New York : Twayne Publishers, c1996., 10/28/1996
  • In The Dramatic Monologue, Elisabeth A. Howe defines the characteristics of the subject as a genre, clearly differentiating it from the lyric poem. One feature she discusses is the double voice of the dramatic monologue - the reader hears simultaneously t
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Book Categories

Authors

Preface
Acknowledgments
Chronology
Ch. 1 Overview 1
Ch. 2 The Victorians 30
Ch. 3 The Age of Modernism 63
Ch. 4 Other Twentieth-Century Practitioners 94
Notes and References 123
Bibliographical Essay 133
Recommended Reading 150
Index 161


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The dramatic monologue, In The Dramatic Monologue, Elisabeth A. Howe defines the characteristics of the subject as a genre, clearly differentiating it from the lyric poem. One feature she discusses is the double voice of the dramatic monologue - the reader hears simultaneously t, The dramatic monologue

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The dramatic monologue, In The Dramatic Monologue, Elisabeth A. Howe defines the characteristics of the subject as a genre, clearly differentiating it from the lyric poem. One feature she discusses is the double voice of the dramatic monologue - the reader hears simultaneously t, The dramatic monologue

The dramatic monologue

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The dramatic monologue, In The Dramatic Monologue, Elisabeth A. Howe defines the characteristics of the subject as a genre, clearly differentiating it from the lyric poem. One feature she discusses is the double voice of the dramatic monologue - the reader hears simultaneously t, The dramatic monologue

The dramatic monologue

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