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In Itself | 1 | |
Depending on Which | 1 | |
Saving Face | 1 | |
Good Advice | 1 | |
Letter and Book | 2 | |
Mummy and Fine Wine | 2 | |
Dearly Bought Armoires | 2 | |
Poor Vantage | 2 | |
Ever Onward | 3 | |
As If in Print | 4 | |
No Fuss | 4 | |
A Whole Page of Glad Tidings | 5 | |
The Usual, Quite Instructive, Survey of Books | 7 | |
Still in Luxurious Binding | 9 | |
Lehar-Mozart | 11 | |
The Full Beard as Harp | 14 | |
Steiner's Uralinda Chronicle | 17 | |
Lenard's German Physics | 19 | |
Cultural Bolshevism Unpacked | 22 | |
The Familiar Weir | 24 | |
A Different Position | 26 | |
Two Inscriptions | 27 | |
From Torture to the Court of No Appeal | 28 | |
The Pious Prohibition of German Art Criticism | 31 | |
Nobel Prize and Expatriation | 42 | |
Spengler and Russia | 47 | |
"Consciousness as Doom" | 51 | |
The Faithful Child's Holy Christ | 56 | |
Significant Change in Cinematic Fables | 59 | |
Elsewhere, Things Happen | 63 | |
The Inn in the Spessart | 64 | |
Pontoppidan's Novel Lucky Hans | 67 | |
Ulrik Brendel's Talent (in Rosmersholm) | 71 | |
The Art of Speaking Schiller | 74 | |
Schiller in Weimar: High Point and Turning Point | 78 | |
Poetry in Hollow Space | 97 | |
Marxism and Poetry | 113 | |
On the Present in Literature | 119 | |
A Scarcity of Themes for Opera | 135 | |
Taking Mercantile Latin Seriously | 139 | |
Further Asides | 143 | |
The Homeland's Bitter Art | 143 | |
Afterword to Hebel's Schatzkastlein | 146 | |
On Music in the Cinema | 156 | |
The Musical Stratum in Cinema, Revisited | 159 | |
On an Anthology of Figurative Art from Africa and the South Pacific | 162 | |
The Fairy Tale Moves On Its Own in Time | 167 | |
Tricot and State Uniform | 169 | |
Lichtenberg and the Like, from Above and Below | 171 | |
On the Text of Beckmesser's Prize Song | 178 | |
Arrival and Overtures | 184 | |
A Drawing by Kubin | 184 | |
Hans Sachs's Address to the Elder-Blossoms | 186 | |
The Awakening | 189 | |
The Unbearable Moment | 189 | |
Sledding at Eye Level | 191 | |
Self-Portrait Without Mirror | 192 | |
Great Moments That Pass Unnoticed | 196 | |
Images of Deja Vu | 200 | |
A Philosophical View of the Detective Novel | 209 | |
A Philosophical View of the Novel of the Artist | 227 | |
Alienation, Estrangement | 239 | |
On The Tales of Hoffman | 246 | |
The Magic Flute and Contemporary Symbols | 250 | |
Paradoxes and Pastorale in Wagner | 255 | |
Magic Rattle and Human Harp | 290 | |
Destruction and Salvation of Myth Through Light | 296 | |
The Anxiety of the Engineer | 304 | |
Technology and Ghostly Apparitions | 314 | |
Hebel, Gotthelf, and the Rustic Tao | 321 | |
Can Hope Be Disappointed? | 339 | |
The Song of Pirate Jenny in The Threepenny Opera | 345 | |
Ponce de Leon, Bimini, and the Fountain | 350 | |
Short Way | 354 | |
Silent Land | 355 | |
Salons in the Dust | 355 | |
Wasteland and Small Town | 357 | |
A Pleasant Recollection of Mannheim | 358 | |
Berlin, as Viewed from the Landscape | 361 | |
St. Paul's Worms | 371 | |
The Three Fratellini, or the Ramps of Arcadia | 374 | |
Astonishment at the Rhine Falls | 378 | |
Excavation of the Brocken | 383 | |
Autumn, Marsh, Heath, and Secession | 389 | |
On Images of Nature Since the End of the Nineteenth Century | 397 | |
The Rock Dove, the Neanderthal, and the True Human | 409 | |
Loch Ness, the Sea Monster, and Dacque's Legend of the Primeval World | 417 | |
Trader Horn in Africa | 422 | |
At the Strasbourg Cathedral | 426 | |
The Alps Without Photography | 433 | |
The Maloja-Chiavenna Drift | 442 | |
The Italian Night of Venice | 446 | |
Italy and Porosity | 450 | |
The Empire of Syagrius | 457 | |
Burial Ground and Commemoration of Utopias, Geographically Considered: Prairie and Steppe | 464 | |
Goethe's Drawing The Ideal Landscape | 473 | |
Landscape Around New Year's Eve and New Year's Day | 477 | |
Decelerated Time, Accelerated Time, and Space | 482 | |
False Freshness | 487 | |
The So-Called Jewish Question | 488 | |
Greetings to Klemperer as "Conductor" of the Masters | 492 | |
Must Books Have Fates? | 493 | |
Spoken and Written Syntax: Anacoluthon | 497 | |
On Fine Arts in the Machine Age | 505 | |
Architecture and the Stone Age | 511 | |
Antigone and Beethoven's Leonore | 513 | |
On a Metaphor in Keller | 515 | |
Notes | 521 | |
Index | 531 |
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Add Literary Essays (Meridian: Crossing Aesthetics Series), Translations of Bloch into English have too ofen ended up as very strained and, although Bloch's prose is certainly difficult in German, it is not often captured in English as well as it is here. Adorno named Bloch as one of the great German prose writer, Literary Essays (Meridian: Crossing Aesthetics Series) to the inventory that you are selling on WonderClubX
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Add Literary Essays (Meridian: Crossing Aesthetics Series), Translations of Bloch into English have too ofen ended up as very strained and, although Bloch's prose is certainly difficult in German, it is not often captured in English as well as it is here. Adorno named Bloch as one of the great German prose writer, Literary Essays (Meridian: Crossing Aesthetics Series) to your collection on WonderClub |