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Introduction : the scope of the cartoon | 1 | |
1 | Peter Arno : the last days of cabaret | 21 |
2 | William Steig : art, armor, and amour | 75 |
3 | Charles Addams : comic American gothic | 135 |
4 | Saul Steinberg : the lifeline from A to B | 181 |
Conclusion : laughing with The New Yorker | 239 |
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