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Celluloid Nationalism & Other Melodramas: From Post-Revolutionary Mexico to Fin de Siglo Mexamerica Book

Celluloid Nationalism & Other Melodramas: From Post-Revolutionary Mexico to Fin de Siglo Mexamerica
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Celluloid Nationalism & Other Melodramas: From Post-Revolutionary Mexico to Fin de Siglo Mexamerica, Exploring the works of Mexican and American female movie directors such as Matilde Landeta, Allison Anders, and Marcela Fernández Violante, Dever (media arts, U. of New Mexico) examines the melodrama as a site of national and political identity constructi, Celluloid Nationalism and Other Melodramas: From Post-Revolutionary Mexico to Fin de Siglo Mexamerica
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  • Celluloid Nationalism and Other Melodramas: From Post-Revolutionary Mexico to Fin de Siglo Mexamerica
  • Written by author Susan Dever
  • Published by State University of New York Press, 9/18/2009
  • Exploring the works of Mexican and American female movie directors such as Matilde Landeta, Allison Anders, and Marcela Fernández Violante, Dever (media arts, U. of New Mexico) examines the melodrama as a site of national and political identity constructi
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List of Illustrations
Acknowledgments
Prologue 1
Introduction: Of Melodrama and Other Inspirations 5
Ch. 1 Re-Birth of a Nation: On Mexican Movies, Museums, and Maria Felix 47
Ch. 2 Las de abajo: Matilde Landeta's Mexican Revolution 71
Ch. 3 Pimps, Prostitutes, and Politicos: Matilde Landeta's Trotacalles and the Regime of Miguel Aleman 95
Ch. 4 Neomelodrama as Participatory Ethnography: Allison Anders's Mi vida loca 125
Ch. 5 The Last Judgment: Marcela Fernandez Violante's Requiem (for) Melodrama 167
Epilogue: Deeds that Inspire Confidence 195
Notes 197
Bibliography 233
Index 251


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Celluloid Nationalism & Other Melodramas: From Post-Revolutionary Mexico to Fin de Siglo Mexamerica, Exploring the works of Mexican and American female movie directors such as Matilde Landeta, Allison Anders, and Marcela Fernández Violante, Dever (media arts, U. of New Mexico) examines the melodrama as a site of national and political identity constructi, Celluloid Nationalism and Other Melodramas: From Post-Revolutionary Mexico to Fin de Siglo Mexamerica

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Celluloid Nationalism & Other Melodramas: From Post-Revolutionary Mexico to Fin de Siglo Mexamerica, Exploring the works of Mexican and American female movie directors such as Matilde Landeta, Allison Anders, and Marcela Fernández Violante, Dever (media arts, U. of New Mexico) examines the melodrama as a site of national and political identity constructi, Celluloid Nationalism and Other Melodramas: From Post-Revolutionary Mexico to Fin de Siglo Mexamerica

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Celluloid Nationalism & Other Melodramas: From Post-Revolutionary Mexico to Fin de Siglo Mexamerica, Exploring the works of Mexican and American female movie directors such as Matilde Landeta, Allison Anders, and Marcela Fernández Violante, Dever (media arts, U. of New Mexico) examines the melodrama as a site of national and political identity constructi, Celluloid Nationalism and Other Melodramas: From Post-Revolutionary Mexico to Fin de Siglo Mexamerica

Celluloid Nationalism & Other Melodramas: From Post-Revolutionary Mexico to Fin de Siglo Mexamerica

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