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List of Illustrations | ||
Acknowledgments | ||
Prologue | 1 | |
Introduction: Of Melodrama and Other Inspirations | 5 | |
Ch. 1 | Re-Birth of a Nation: On Mexican Movies, Museums, and Maria Felix | 47 |
Ch. 2 | Las de abajo: Matilde Landeta's Mexican Revolution | 71 |
Ch. 3 | Pimps, Prostitutes, and Politicos: Matilde Landeta's Trotacalles and the Regime of Miguel Aleman | 95 |
Ch. 4 | Neomelodrama as Participatory Ethnography: Allison Anders's Mi vida loca | 125 |
Ch. 5 | The Last Judgment: Marcela Fernandez Violante's Requiem (for) Melodrama | 167 |
Epilogue: Deeds that Inspire Confidence | 195 | |
Notes | 197 | |
Bibliography | 233 | |
Index | 251 |
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Add Celluloid Nationalism & Other Melodramas: From Post-Revolutionary Mexico to Fin de Siglo Mexamerica, Exploring the works of Mexican and American female movie directors such as Matilde Landeta, Allison Anders, and Marcela Fernández Violante, Dever (media arts, U. of New Mexico) examines the melodrama as a site of national and political identity constructi, Celluloid Nationalism and Other Melodramas: From Post-Revolutionary Mexico to Fin de Siglo Mexamerica to your collection on WonderClub |