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Table of Illustrations | ||
Foreword by | 1 | |
Introduction | 7 | |
Ch. 1 | From the Byzantines to the Rosicrucians | 9 |
Complementarity of History and Myth: From the "Holy Spirit Fire" to Philip the Good | 9 | |
Artists, Scholars, and Early Hermeneutists: From the Renaissance to Guilielmus Mennens | 17 | |
The Golden Fleece as a Sign of the Laboratory: Michael Maier, J.V. Andreae, and Seventeenth Century Alchemy | 24 | |
Ch. 2 | From the Age of Enlightenment to Contemporary Hermeneutics | 33 |
The Rococo Compass and Concordance: Ehrd of Naxagoras | 33 | |
Theosophical Fleece and Astral Gold: Hermann Fictuld; the "Sun from the Orient" | 40 | |
French Exegeses: Dom Pernety, or the bunch with a single key; Fulcanelli at the Hotel Lallemant: Canseliet and Cabbalistic Phonetics | 47 | |
Perspectives | 59 | |
Appendices | 67 | |
1) | Original texts of the extensive quotations with their proposed translations | 69 |
2) | A note on the Golden Fleece in Freemasonry | 88 |
Notes | 99 | |
Bibliography | 119 | |
Illustrations | 123 | |
Index | 137 |
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