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Editor's Note | vii | |
Introduction | 1 | |
Harlem Renaissance Re-examined | 5 | |
Shape and Shapers of the Movement | 13 | |
Black-White Symbiosis: Another Look at the Literary History of the 1920s | 23 | |
Langston Hughes: Evolution of the Poetic Persona | 35 | |
"Refined Racism": White Patronage in the Harlem Renaissance | 53 | |
Color, Sex, and Poetry in the Harlem Renaissance | 67 | |
Black Autobiography and the Comic Vision | 99 | |
Harlem and the First Black Renaissance | 113 | |
Reading the Harlem Renaissance | 123 | |
Black Manhattan | 149 | |
The New Negro | 161 | |
The Negro Renaissance and Its Significance | 167 | |
The Pulse of the Negro World | 179 | |
The Negro Author and His Publisher | 195 | |
Aspects of Identity in Nella Larsen's Novels | 207 | |
Survival and Song: Women Poets of the Harlem Renaissance | 223 | |
Iconography of the Harlem Renaissance | 243 | |
Toomer's Cane and the Harlem Renaissance | 255 | |
The Syncopated African | 275 | |
Chronology | 295 | |
Contributors | 301 | |
Bibliography | 305 | |
Acknowledgments | 315 | |
Index | 319 |
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Add Harlem Renaissance (Bloom's Literary Criticism), In the 1920's, African-American writers, painters, and musicians were beginning to form an artistic community that stretched beyond the streets of Harlem. Their work set the foundation for the emergence of the African-American voice and its influence on c, Harlem Renaissance (Bloom's Literary Criticism) to the inventory that you are selling on WonderClubX
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Add Harlem Renaissance (Bloom's Literary Criticism), In the 1920's, African-American writers, painters, and musicians were beginning to form an artistic community that stretched beyond the streets of Harlem. Their work set the foundation for the emergence of the African-American voice and its influence on c, Harlem Renaissance (Bloom's Literary Criticism) to your collection on WonderClub |