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Foreword | 1 | |
Introduction | 5 | |
1 | Antoine's version of La Terre : an experiment in naturalist cinema | 15 |
2 | Eisenstein and Zola : naturalism, cinema, and mythography | 27 |
3 | Staging the courtesan : taking Zola's Nana to the movies | 45 |
4 | From theater to cinema : Jean Renoir's adaptation of Nana | 62 |
5 | The eye behind the writing hand : surveillance and adaptation in La Bete humaine | 69 |
6 | "La Rancon du progres" : naturalistic discourse and two adaptations of Zola's Au Bonheur des Dames | 89 |
7 | Viewing Au Bonheur des Dames in the context of occupied France | 103 |
8 | Therese Raquin in a fog-covered corner | 117 |
9 | Ideology and focalization in Gervaise : the Aurenchebost/Rene Clement treatment | 132 |
10 | The female reader in Pot-Bouille and Duvivier's cinematic representation | 148 |
11 | The fabrication of Claude Berri's Germinal | 163 |
12 | Nostalgia is hard to let go : the French Communist Party's reception of Claude Berri's filmic adaptation of Germinal | 182 |
13 | "At the still point" : framing the naturalist moment | 194 |
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Add Zola and Film: Essays in the Art of Adaptation, French novelist Emile Zola, noted for his championship of the Naturalist novel, has been one of the most adapted authors in world literature. There have been approximately 80 film adaptations of his novels and short stories, many of which occurred during , Zola and Film: Essays in the Art of Adaptation to the inventory that you are selling on WonderClubX
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Add Zola and Film: Essays in the Art of Adaptation, French novelist Emile Zola, noted for his championship of the Naturalist novel, has been one of the most adapted authors in world literature. There have been approximately 80 film adaptations of his novels and short stories, many of which occurred during , Zola and Film: Essays in the Art of Adaptation to your collection on WonderClub |