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Acknowledgments | ||
Introduction | 3 | |
1 | Justification for the Term "Baroque" | 7 |
2 | Kierkegaard and Sestov: Affinities and Influence in Brodsky's Pre-Exile Verse, 1957-1972 | 23 |
3 | The Influence of John Donne, Relative to Existentialism, 1957-1972 | 60 |
4 | The Baroque Leap of Faith, 1972-1979 | 95 |
5 | The Post-Baroque, 1980-1989 | 128 |
6 | Nomadism and Venice, 1990-1996 | 164 |
7 | The Consequences of Nomadism: Late Bilingualism and Posthumous Biographies | 191 |
Bibliography | 205 | |
Index | 255 |
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Add Joseph Brodsky and the Baroque, MacFadyen shows that the works of John Donne, the existential philosophy of Kierkegaard and Sestov, and the cities of St Petersburg and Venice inspired in Brodsky a fundamentally Baroque evolution. He provides a compelling and comprehensive examination of, Joseph Brodsky and the Baroque to the inventory that you are selling on WonderClubX
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Add Joseph Brodsky and the Baroque, MacFadyen shows that the works of John Donne, the existential philosophy of Kierkegaard and Sestov, and the cities of St Petersburg and Venice inspired in Brodsky a fundamentally Baroque evolution. He provides a compelling and comprehensive examination of, Joseph Brodsky and the Baroque to your collection on WonderClub |