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chapter 1 I: Introduction 1. Cultural Essentialism and Asian American Films chapter 2 2. Between a Weapon and a Formula chapter 3 3. Asian American Aesthetics chapter 4 II: Cinematic Asian Representation 1. Representation as Image chapter 5 2. Politics of Representation chapter 6 3. The Institution of Representation chapter 7 III. Documentaries as Social History 1. History as Subject: Personal Diary Films and Family Portraits chapter 8 2. History As Consciousness: Biographies and Communal Histories chapter 9 3. History as Representation: Social-Issue Documentaries chapter 10 IV: Hybrid Cinema by Asian American Women 1. Avant-Garde Film as History chapter 11 2. Time and Subjectivity chapter 12 3. Screen Space as Social Space chapter 13 V: Conclusion 1. A Cinema in Transition: "Cross-Over" Films chapter 14 2. Films from the Asian Diaspora chapter 15 Appendix: Theories on Ethnicity and Film chapter 16 Notes chapter 17 Bibliography chapter 18 Filmography chapter 19 Index
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Add Asian America Through the Lens : History, Representations and Identity, While some Asian American films and filmmakers are beginning to achieve acclaim in mainstream U.S. culture, neither academic scholars nor society as a whole has sufficiently taken account of the history of this rich and growing body of cinematic productio, Asian America Through the Lens : History, Representations and Identity to the inventory that you are selling on WonderClubX
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Add Asian America Through the Lens : History, Representations and Identity, While some Asian American films and filmmakers are beginning to achieve acclaim in mainstream U.S. culture, neither academic scholars nor society as a whole has sufficiently taken account of the history of this rich and growing body of cinematic productio, Asian America Through the Lens : History, Representations and Identity to your collection on WonderClub |