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Aboriginal Art Identity and Appropriation Book

Aboriginal Art Identity and Appropriation
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Aboriginal Art Identity and Appropriation, The belief held by Aboriginal people that their art is ultimately related to their identity, and to the continued existence of their culture, has made the protection of indigenous peoples' art a pressing matter in many postcolonial countries. The issue h, Aboriginal Art Identity and Appropriation
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  • Aboriginal Art Identity and Appropriation
  • Written by author Burns Coleman
  • Published by Ashgate Publishing Limited, 2005/09/28
  • "The belief held by Aboriginal people that their art is ultimately related to their identity, and to the continued existence of their culture, has made the protection of indigenous peoples' art a pressing matter in many postcolonial countries. The issue h
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Book Categories

Authors

1 Mapping the problem 1
2 Cultural appropriation 15
3 Culture and property 31
4 Domestic questions 43
5 Identity and images 53
6 Religion and significance 65
7 Art fraud and the ontology of painting 83
8 Applying the criteria for authenticity 101
9 Insignia and collective entities 113
10 Cultural vandalism 127
11 Interpreting aboriginal claims as rights 141
12 Freedom of expression and insignia 155
13 Responding to aboriginal claims 169


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Aboriginal Art Identity and Appropriation, The belief held by Aboriginal people that their art is ultimately related to their identity, and to the continued existence of their culture, has made the protection of indigenous peoples' art a pressing matter in many postcolonial countries. The issue h, Aboriginal Art Identity and Appropriation

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Aboriginal Art Identity and Appropriation, The belief held by Aboriginal people that their art is ultimately related to their identity, and to the continued existence of their culture, has made the protection of indigenous peoples' art a pressing matter in many postcolonial countries. The issue h, Aboriginal Art Identity and Appropriation

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Aboriginal Art Identity and Appropriation, The belief held by Aboriginal people that their art is ultimately related to their identity, and to the continued existence of their culture, has made the protection of indigenous peoples' art a pressing matter in many postcolonial countries. The issue h, Aboriginal Art Identity and Appropriation

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