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Gendered Persona and Poetic Voice: The Abandoned Woman in Early Chinese Song Lyrics Book

Gendered Persona and Poetic Voice: The Abandoned Woman in Early Chinese Song Lyrics
Gendered Persona and Poetic Voice: The Abandoned Woman in Early Chinese Song Lyrics, Gendered Persona and Poetic Voice considers the effects on poetic voice of a conventional feminine persona, the abandoned woman, in early Chinese song lyric (ci) poems. The author reads the literary cross-dressing and ventriloquism of these mostly male-au, Gendered Persona and Poetic Voice: The Abandoned Woman in Early Chinese Song Lyrics has a rating of 4 stars
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Gendered Persona and Poetic Voice: The Abandoned Woman in Early Chinese Song Lyrics, Gendered Persona and Poetic Voice considers the effects on poetic voice of a conventional feminine persona, the abandoned woman, in early Chinese song lyric (ci) poems. The author reads the literary cross-dressing and ventriloquism of these mostly male-au, Gendered Persona and Poetic Voice: The Abandoned Woman in Early Chinese Song Lyrics
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  • Gendered Persona and Poetic Voice: The Abandoned Woman in Early Chinese Song Lyrics
  • Written by author Maija Bell Samei
  • Published by The Rowman & Littlefield Publishing Group Inc, October 2004
  • Gendered Persona and Poetic Voice considers the effects on poetic voice of a conventional feminine persona, the abandoned woman, in early Chinese song lyric (ci) poems. The author reads the literary cross-dressing and ventriloquism of these mostly male-au
  • Gendered Persona and Poetic Voice considers the effects on poetic voice of a conventional feminine persona, the abandoned woman, in early Chinese song lyric (ci) poems. The author reads the literary cross-dressing and ventriloquism of these mostly male-au
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Introduction : voice, persona, and gendered convention : who is speaking?1
Ch. 1"A thousand, ten thousand resentments" : the story of a convention43
Pt. 1History of the abandoned woman convention44
Pt. 2The rise of the Ci74
Ch. 2Magpies, water clocks and lies : "images" of voice91
Ch. 3The abandoned woman as object, topos, and ventriloquist's puppet157


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Gendered Persona and Poetic Voice: The Abandoned Woman in Early Chinese Song Lyrics, Gendered Persona and Poetic Voice considers the effects on poetic voice of a conventional feminine persona, the abandoned woman, in early Chinese song lyric (ci) poems. The author reads the literary cross-dressing and ventriloquism of these mostly male-au, Gendered Persona and Poetic Voice: The Abandoned Woman in Early Chinese Song Lyrics

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Gendered Persona and Poetic Voice: The Abandoned Woman in Early Chinese Song Lyrics, Gendered Persona and Poetic Voice considers the effects on poetic voice of a conventional feminine persona, the abandoned woman, in early Chinese song lyric (ci) poems. The author reads the literary cross-dressing and ventriloquism of these mostly male-au, Gendered Persona and Poetic Voice: The Abandoned Woman in Early Chinese Song Lyrics

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Gendered Persona and Poetic Voice: The Abandoned Woman in Early Chinese Song Lyrics, Gendered Persona and Poetic Voice considers the effects on poetic voice of a conventional feminine persona, the abandoned woman, in early Chinese song lyric (ci) poems. The author reads the literary cross-dressing and ventriloquism of these mostly male-au, Gendered Persona and Poetic Voice: The Abandoned Woman in Early Chinese Song Lyrics

Gendered Persona and Poetic Voice: The Abandoned Woman in Early Chinese Song Lyrics

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