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Book Categories |
List of illustrations | ||
Notes on contributors | ||
Acknowledgements | ||
Introduction: visual culture and the Atlantic world, 1660-1830 | 1 | |
1 | Envisioning the colonial body: the fair, the carnivalesque and the grotesque | 15 |
2 | Colonial exhanges: visualizing racial ideology and labour in Britain and the West Indies | 36 |
3 | From Cannassatego to Outalissi: making sense of the Native American in eighteenth-century culture | 60 |
4 | Curiosities, commodities and transplanted bodies in Hans Sloane's Voyage to...Jamaica | 85 |
5 | Pastoral plantations: the slave trade and the respresentation of British colonial landscape in the late eighteenth century | 106 |
6 | John Gabriel Stedman, William Blake, Francesco Bartolozzi and empathetic pornography in the Narrative of a Five Years Expedition against the Revolted Negroes of Surinam | 129 |
7 | Food chains: French abolitionism and human consumption (1787-1819) | 153 |
8 | The Oath of the Ancestors by Lethiere 'le mulatre': celebrating the black/mulatto alliance in Haiti's struggle for independence | 176 |
Index | 197 |
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Add Economy of Colour: Visual Culture and the North Atlantic World, 1660-1830, The contributors to this volume analyze visual culture in the context of British and French Colonial activity in the North Atlantic from 1660-1830. It is a response to a noticeable omission in current art history and cultural studies, which have largely i, Economy of Colour: Visual Culture and the North Atlantic World, 1660-1830 to the inventory that you are selling on WonderClubX
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Add Economy of Colour: Visual Culture and the North Atlantic World, 1660-1830, The contributors to this volume analyze visual culture in the context of British and French Colonial activity in the North Atlantic from 1660-1830. It is a response to a noticeable omission in current art history and cultural studies, which have largely i, Economy of Colour: Visual Culture and the North Atlantic World, 1660-1830 to your collection on WonderClub |