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Acknowledgments | ||
Note on Abbreviations | ||
Ch. 1 | The City of Words: Speech in the Athenian Polis | 3 |
Ch. 2 | Gender and Verbal Genres in Ancient Greece | 32 |
Ch. 3 | Logos Gunaikos: Speech and Gender in Aeschylus' Oresteia | 70 |
Ch. 4 | At the House Door: Phaedra and the Politics of Reputation | 112 |
Ch. 5 | Women's Wordy Strife: Gossip and Invective in Euripides' Andromache | 158 |
Ch. 6 | Obscenity, Gender, and Social Status in Aristophanes' Thesmophoriazusae and Ecclesiazusae | 205 |
Ch. 7 | Conclusion | 260 |
Bibliography | 265 | |
Index | 285 |
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Add Spoken Like a Woman: Speech and Gender in Athenian Drama, In ancient Athens, where freedom of speech derived from the power of male citizenship, women's voices were seldom heard in public. Female speech was more often represented in theatrical productions through women characters written and enacted by men. In S, Spoken Like a Woman: Speech and Gender in Athenian Drama to the inventory that you are selling on WonderClubX
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Add Spoken Like a Woman: Speech and Gender in Athenian Drama, In ancient Athens, where freedom of speech derived from the power of male citizenship, women's voices were seldom heard in public. Female speech was more often represented in theatrical productions through women characters written and enacted by men. In S, Spoken Like a Woman: Speech and Gender in Athenian Drama to your collection on WonderClub |