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| Acknowledgments | ||
| Foreword | ||
| 1 | Believing in opera | 1 |
| 2 | Peter Brook and theatrical opera | 17 |
| 3 | Theory of interpretation | 37 |
| 4 | A repertoire of classics | 53 |
| 5 | The design matrix | 79 |
| 6 | Patrice Chereau: revolutionary classicism | 99 |
| 7 | Ruth Berghaus: Marx, feminism and the absurd | 125 |
| 8 | David Alden: expressionist shock | 165 |
| 9 | Peter Sellars: Americanizing everything | 195 |
| 10 | Richard Jones: burlesque profundities | 227 |
| 11 | Graham Vick: neo-realism and emotion | 261 |
| 12 | Albery, Pimlott, Cairns: British expressionism | 291 |
| 13 | A line of renewal: from Hall to Pountney | 317 |
| 14 | Brian McMaster's eclectic imports | 355 |
| 15 | Frankfurt and after: from Neuenfels to Decker | 377 |
| 16 | 21st-century opera: going for a song | 413 |
| Appendix: Buhnenreform (Theatre Reform) | 427 | |
| Postscript | 433 | |
| Index | 437 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
Gerald Huntley
reviewed Believing in opera on November 30, 2011
Believing in opera
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Add Believing in opera, The staging of opera has become immensely controversial over the last twenty years. Tom Sutcliffe here offers an engaging and far-reaching book about opera performance and interpretation. This work is a unique tribute to the most distinctive and adventuro, Believing in opera to the inventory that you are selling on WonderClubX
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Add Believing in opera, The staging of opera has become immensely controversial over the last twenty years. Tom Sutcliffe here offers an engaging and far-reaching book about opera performance and interpretation. This work is a unique tribute to the most distinctive and adventuro, Believing in opera to your collection on WonderClub |
