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Paris Old and New, 1935
Brecht's Threepenny Novel
Johann Jakob Bachofen
Conversation above the Corso: Recollections of Carnival-Time in Nice
Paris, the Capital of the Nineteenth Century
Exchange with Theodor W. Adorno on the Essay "Paris, the Capital of the Nineteenth Century"
Problems in the Sociology of Language: An Overview
The Formula in Which the Dialectical Structure of Film Finds Expression
Rastelli's Story
Art In a Technological Age, 1936
The Work of Art in the Age of Its Technological Reproducibility: Second Version
A Different Utopian Will
The Significance of Beautiful Semblance
The Signatures of the Age
Theory of Distraction
The Storyteller: Observations on the Works of Nikolai Leskov
German Men and Women: A Sequence of Letters
Letter from Paris (2): Painting and Photography
Translation—For and Against
The Knowledge That the First Material on Which the Mimetic Faculty
Tested Itself
Dialectics and History, 1937
Addendum to the Brecht Commentary: The Threepenny Opera
Eduard Fuchs, Collector and Historian
Fruits of Exile, 1938 (Part 1)
Theological-Political Fragment
A German Institute for Independent Research
Review of Brod's Franz Kafka
Letter to Gershom Scholem on Franz Kafka
The Land Where the Proletariat May Not Be Mentioned: The Premiere
of Eight One-Act Plays by Brecht
Diary Entries, 1938
Berlin Childhood around 1900
A Note on the Texts
Chronology, 1935-1938
Index
Illustrations
The Galerie Vivienne, Paris, 1907
Walter Benjamin at the Bibliothèque Nationale, 1937
Honoré Daumier, La Crinoline en temps de neige
The Kaiser Wilhelm Bridge, Berlin, early twentieth century
The Victory Column on Königsplatz, Berlin, early twentieth century
The goldfish pond in the Tiergarten, Berlin, early twentieth century
Berlin's Tiergarten in winter, early twentieth century
Market hall on Magdeburger Platz, 1899
Interior of a typical middle-class German home, late nineteenth century
Courtyard on Fischerstrasse in Old Berlin, early twentieth century
Walter Benjamin and his brother Georg, ca. 1902
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Add Walter Benjamin: Selected Writings, Volume 3: 1935-1938, Radical critic of a European civilization plunging into darkness, yet commemorator of the humane traditions of the old bourgeoisie—such was Walter Benjamin in the later 1930s. This volume, the third in a four-volume set, offers twenty-seven brilliant piec, Walter Benjamin: Selected Writings, Volume 3: 1935-1938 to the inventory that you are selling on WonderClubX
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Add Walter Benjamin: Selected Writings, Volume 3: 1935-1938, Radical critic of a European civilization plunging into darkness, yet commemorator of the humane traditions of the old bourgeoisie—such was Walter Benjamin in the later 1930s. This volume, the third in a four-volume set, offers twenty-seven brilliant piec, Walter Benjamin: Selected Writings, Volume 3: 1935-1938 to your collection on WonderClub |