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| Preface | ||
| Acknowledgments | ||
| A Note on the Text | ||
| Introduction | ||
| 1 | Problems in Writing about Music (1969) | 3 |
| 2 | Resistances to Britten's Music: Their Psychology (1950) | 10 |
| 3 | National Frontiers in Music (1954) | 18 |
| 4 | Sport and Art: the Concept of Mastery (1969) | 26 |
| 5 | Music and Psychopathology (1971) | 29 |
| 6 | Art as Departure (Haydn) (1980) | 37 |
| 7 | New Music: Beethoven's Choral Fantasy (1961) | 40 |
| 8 | Schubert: Tune and Melody (1978) | 48 |
| 9 | Little-known Greatness (Mendelssohn and Mozart) (1980) | 51 |
| 10 | Schumann was a Symphonist (1971) | 54 |
| 11 | Tristan and the Realism of Adolescence (Wagner) (1958) | 57 |
| 12 | Resistances to Brahms (1978) | 60 |
| 13 | Elgar the Progressive (1957) | 63 |
| 14 | The Unpopularity of Mahler's Popularity (1971) | 68 |
| 15 | The Sentimental Violin (Glazunov) (1972) | 71 |
| 16 | The 'Lucky' Hand and Other Errors (Schoenberg) (1957) | 74 |
| 17 | Natural Master (Schmidt) (1984) | 77 |
| 18 | Schoenberg: A Survivor from Warsaw (1951) | 80 |
| 19 | Film Music: the Harry Lime Theme (Karas and Weill) (1951) | 83 |
| 20 | Matyas Seiber 1905-1960 | 86 |
| 21 | Gloriana as Music Drama: a Reaffirmation (Britten) (1966) | 89 |
| 22 | Shostakovich's Twelfth Quartet (1970) | 93 |
| 23 | Stravinsky v. Stravinsky (1971) | 103 |
| 24 | The State of the Symphony: not only Maxwell Davies's (1978) | 106 |
| 25 | Britten's Last Masterpiece (1979) | 111 |
| 26 | The Man and the Music (Simpson) (1981) | 114 |
| 27 | Towards a Theory of Music (1970) | 121 |
| 28 | The Musical Analysis of Music (1957) | 126 |
| 29 | Functional Analysis No. 9A: Mozart's Piano Sonata in A minor, K 310 (1959) | 129 |
| 30 | A Slip of Mozart's: Its Analytical Significance (1956/57) | 139 |
| 31 | Knowing Things Backwards (1958) | 144 |
| 32 | Mozart's Wrong Key Signature (1972) | 151 |
| 33 | Key Characteristics (1956) | 158 |
| 34 | Strict Serial Technique in Classical Music (1955) | 169 |
| 35 | Schoenberg: The Future of Symphonic Thought (1974) | 179 |
| 36 | Whose Fault is the Speaking Voice? (1965) | 192 |
| 37 | Why This Piece is about Billy Budd (1972) | 198 |
| 38 | Rhythm: Gershwin and Stravinsky (1957) | 201 |
| 39 | Principles of Composition (1960) | 212 |
| Notes | 233 | |
| Index | 265 |
| Price | Condition | Delivery | Seller | Action |
| $99.99 | Digital |
| WonderClub |
SHAY WILLIAMS
reviewed Keller on July 25, 2019
Keller
This is a great series to start with in learning guitar. Teaching the notes, where they are on a music staff as well as chords. Easy exercises and recognizable songs for practice make this book not only practical but fun.
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