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Introduction : the hypocritical self | 1 | |
1 | Drag queens and in-betweens : Agathon and the mimetic body | 25 |
2 | Demosthenes versus Aeschines : the rhetoric of sincerity | 58 |
3 | The fraud and the flatterer : images of actors on the comic stage | 90 |
4 | Infamous performers : comic actors and female prostitutes in Rome | 124 |
5 | The actor's freedom : Roscius and the slave actor at Rome | 160 |
6 | Extreme mimesis : spectacle in the empire | 188 |
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Add Performance and Identity in the Classical World, Performance and Identity in the Classical World traces attitudes toward actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self. The actor's ability to impersonate different characters might be c, Performance and Identity in the Classical World to the inventory that you are selling on WonderClubX
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Add Performance and Identity in the Classical World, Performance and Identity in the Classical World traces attitudes toward actors in Greek and Roman culture as a means of understanding ancient conceptions of, and anxieties about, the self. The actor's ability to impersonate different characters might be c, Performance and Identity in the Classical World to your collection on WonderClub |