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Working through a generational mix of writers, from Sarah Kane, the iconoclastic "bad girl" of the stage, to the "canonical" Caryl Churchill, Elaine Aston charts the significant political and aesthetic changes in women's playwriting at the end of the twentieth century. Aston also explores "new" writing for the 1990s in theater by Sarah Daniels, Bryony Lavery, Phyllis Nagy, Winsome Pinnock, Rebecca Prichard, Judy Upton and Timberlake Wertenbaker.
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| $99.99 | Digital |
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Amanda Johnson
reviewed Feminist views on the English stage on April 19, 2015 Feminist views on the English stage
I was fortunate enough to find an early edition of this in 1989, a month or two after I was struck down with Chronic Fatigue Syndrome. I credit this book with helping me turn the tide, and allowing me to lead a "normal" life again.
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