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Preface | ||
Acknowledgements | ||
A Chronology of Latino Events | ||
Introduction: Latinos, Past and Present | 1 | |
Pt. 1 | The Ties That Bind: La Familia | 16 |
From Rain of Gold | 22 | |
"Sweet Fifteen" | 34 | |
Interview | 38 | |
From The House on Mango Street | 48 | |
Interview | 52 | |
From Family Installments | 56 | |
Interview | 70 | |
From Famous All Over Town | 76 | |
"After Calling" | 84 | |
"Raining Backwards" | 86 | |
Pt. 2 | Buenos Dias, Mi Dios: La Religion | 92 |
"Filomena" | 96 | |
"Coyote Sun" | 112 | |
Interview | 116 | |
Interview: "Buenos Dias, Mi Dios" | 126 | |
Interview: "Alarru, Chiquito" | 127 | |
From Y no se lo trago la tierra . . . And the Earth Did Not Devour Him | 128 | |
"The Future of the Hispanic Church" | 134 | |
"In Search of Unconventional Women: Histories of Puerto Rican Women in Religious Vocations Before Midcentury" | 140 | |
From The Liberating Spirit: Toward a Hispanic American Pentecostal Social Ethic | 152 | |
Pt. 3 | All for One and One for All: La Comunidad | 160 |
Savings | 164 | |
Interview | 204 | |
Interview | 214 | |
Interview | 230 | |
Interview | 240 | |
Pt. 4 | We Come Bearing Gifts: Las Artes | 252 |
"The Show Does Go On" | 256 | |
"Puerto Rican Writers in the United States, Puerto Rican Writers in Puerto Rico: A Separation Beyond Language" | 264 | |
"An Oral History" | 270 | |
"Bumbun and the Beginnings of Plena Music" | 276 | |
Interview | 284 | |
Interview | 302 | |
Interview | 312 | |
Pt. 5 | In the Belly of the Beast: (Im)migration and Exile | 316 |
Interview | 322 | |
"Arrival," "Birthplace" | 328 | |
Interview | 332 | |
"Border Towns," "Super Freak" | 340 | |
Interview | 344 | |
"Something Must Be Happening to My Antennas," "Prologue: That Deafening Noise is the Garbage Truck" | 350 | |
"Ragdale Evenings" | 354 | |
"Garage Sale People" | 356 | |
"Sugarcane" | 362 | |
"Dear Tia" | 366 | |
"Elena" | 368 | |
Pt. 6 | "My Roots Are Not Mine Alone": La Identidad Cultural | 370 |
"Dedication" | 374 | |
Interview | 376 | |
From Bless Me, Ultima | 382 | |
"Senora X No More," "A Voice" | 390 | |
Interview and recipes | 394 | |
"Finding Home" | 398 | |
"To live in the Borderlands means you . . ." | 400 | |
From "With a Pistol in His Hand": A Border Ballad and Its Hero | 404 | |
Interview | 414 | |
Interview | 424 | |
"Double Dutch: Reflections of a Hispanic North American on Multicultural Religious Education" | 430 | |
From The Future is Mestizo: Life Where Cultures Meet | 440 | |
"Puertoricanness," "Child of the Americas" | 444 | |
"I Am What I Am" | 448 | |
Appendix | 450 | |
Bibliography | 454 | |
Notes | 457 | |
Glossary | 465 | |
Index | 476 | |
Permissions | 482 |
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Add Barrios and Borderlands: Cultures of Latinos and Latinas in the United States, Barrios and Borderlands paints a portrait of the complex and fascinating mixture of Latino cultures in the United States today. This unique anthology embraces a broad range of genres, disciplines and ethnicities. It highlights the diversity , Barrios and Borderlands: Cultures of Latinos and Latinas in the United States to the inventory that you are selling on WonderClubX
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Add Barrios and Borderlands: Cultures of Latinos and Latinas in the United States, Barrios and Borderlands paints a portrait of the complex and fascinating mixture of Latino cultures in the United States today. This unique anthology embraces a broad range of genres, disciplines and ethnicities. It highlights the diversity , Barrios and Borderlands: Cultures of Latinos and Latinas in the United States to your collection on WonderClub |