|
|
Sold Out
Book Categories |
First published in 1985.
In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic'. His comic practice is firmly set within a comic tradition which stretches from Plautus and Menander to playwrights of the Italian Renaissance.
| Price | Condition | Delivery | Seller | Action |
| $230.00 | Digital |
| WonderClub |
Login|Complaints|Blog|Games|Digital Media|Souls|Obituary|Contact Us|FAQ
CAN'T FIND WHAT YOU'RE LOOKING FOR? CLICK HERE!!! X
You must be logged in to add to WishlistX
This item is in your Wish List
X
This item is in your Collection
Shakespeare's Rhetoric of Comic Character : Dramatic Convention in Classical and Renaissance Comedy
X
This Item is in Your Inventory
Shakespeare's Rhetoric of Comic Character : Dramatic Convention in Classical and Renaissance Comedy
X
You must be logged in to review the productsX
X
X
Add Shakespeare's Rhetoric of Comic Character : Dramatic Convention in Classical and Renaissance Comedy, First published in 1985. In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic', Shakespeare's Rhetoric of Comic Character : Dramatic Convention in Classical and Renaissance Comedy to the inventory that you are selling on WonderClubX
X
Add Shakespeare's Rhetoric of Comic Character : Dramatic Convention in Classical and Renaissance Comedy, First published in 1985. In this revisionist history of comic characterization, Karen Newman argues that, contrary to received opinion, Shakespeare was not the first comic dramatist to create self-conscious characters who seem 'lifelike' or 'realistic', Shakespeare's Rhetoric of Comic Character : Dramatic Convention in Classical and Renaissance Comedy to your collection on WonderClub |