The Popular Music Studies Reader Book

	Introduction	1
Pt. 1	Music as sound, music as text
	Introduction to part one	11
1	In the groove or blowing your mind? : the pleasures of musical repetition	15
2	This is not a story my people tell : musical time and space according to Laurie Anderson	21
3	'Home is living like a man on the run' : John Cale's Welsh Atlantic	29
4	Family values in music? : Billie Holiday's and Bing Crosby's 'I'll be seeing you'	36
5	Subjectivity and soundscape, motorbikes and music	44
Pt. 2	Making music
	Introduction to part two	53
6	Little girl blue	57
7	Black sound, black body : Jimi Hendrix, the electric guitar, and the meanings of blackness	64
8	Making up and showing off : what musicians do	71
9	War in the jungle	78
10	Liveness : performance and the anxiety of simulation	85
Pt. 3	Subcultures, scenes and tribes
	Introduction to part three	95
11	Understanding hipness : 'subcultural capital' as feminist tool	99
12	Subcultures or neotribes? : rethinking the relationship between youth, style and musical taste	106
13	Punk rock at Raul's : the performance of contradiction	114
14	Rules of rebellion : slamdancing, moshing and the American alternative scene	121
15	'Roots'? : the relationship between the global and the local within the extreme metal scene	128
Pt. 4	Popular music and everyday life
	Introduction to part four	137
16	Music and self-identity	141
17	Filmic cities : the aesthetic experience of the personal-stereo user	148
18	'Beautiful music' : the rise of easy-listening FM	156
19	Scanning : Aether talk	164
Pt. 5	Musical diasporas
	Introduction to part five	175
20	"'Jewels brought from bondage' : black music and the politics of authenticity"	179
21	Zouk and the Isles of the Caribees	187
22	The local and global in North African popular music	194
23	Asian kool? : Bhangra and beyond	201
24	Technobanda and the politics of identity	208
25	Voices from the margins : rap music and contemporary cultural production	216
Pt. 6	Music industry
	Introduction to part six	227
26	The industrialization of music	231
27	Musicians in Hollywood : work and technological change in entertainment industries, 1926-1940	239
28	The British dance music industry : a case study of independent cultural production	246
29	Profiting from creativity? : the music industry in Stockholm, Sweden and Kingston, Jamaica	253
Pt. 7	Popular music and technology
	Introduction to part seven	265
30	The material heterogeneity of recorded sound	269
31	Rationalization and democratization in the new technologies of popular music	276
32	Music/technology/practice : musical knowledge in action	283
33	Futurhythmachine : (an interview with Kodwo Eshun)	292
34	Home on the page : a virtual place of music community	295
Pt. 8	Popular music media
	Introduction to part eight	305
35	Commercial radio and popular music : processes of selection and factors of influence	309
36	'Yo Quiero Mi MTV!' : making music television for Latin America	317
37	Popular songs and comic allusion in contemporary cinema	326
38	Anglo-American music journalism : texts and contexts	333
Pt. 9	Popular music, gender and sexuality
	Introduction to part nine	343
39	Women making music : some material constraints	347
40	Smells like teen spirit : riot grrrls, revolution, and women in independent rock	355
41	Rethinking issues of gender and sexuality in Led Zeppelin : a woman's view of pleasure and power in hard rock	362
42	Women and the early British rave scene	370
43	Housewives' choice : female fans and unmanly men	377