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Series editors' preface | vii | |
Acknowledgements | ix | |
Abbreviations and referencing | xi | |
Introduction | 1 | |
Part I | Life and Contexts | 3 |
(a) | The early years: 1906-1927 | 5 |
(b) | The young writer: 1928-1939 | 11 |
(c) | War and Watt: 1939-1946 | 27 |
(d) | 'The Siege in the Room': 1945-1953 | 30 |
(e) | Fame: 1953-1969 | 35 |
(f) | Last years: 1970-1989 | 43 |
Further reading | 48 | |
Part II | Work | 49 |
(a) | The early prose: 1929-1945 | 51 |
(i) | 'Assumption' to More Pricks than Kicks | 51 |
(ii) | Murphy | 57 |
(iii) | Watt | 60 |
Further reading | 62 | |
(b) | Beckett's post-war work: 1945-1960 | 63 |
(i) | The turn to monologue | 63 |
(ii) | Mercier and Camier and the Nouvelles | 64 |
(iii) | The Trilogy | 66 |
(iv) | Eleutheria and Waiting for Godot | 73 |
(v) | Endgame | 76 |
(vi) | Post-Endgame drama | 78 |
(vii) | Post-Trilogy prose and How It Is | 80 |
(viii) | Happy Days | 82 |
Further reading | 84 | |
(c) | The later work: 1960-1989 | 84 |
(i) | Experiments in prose | 85 |
(ii) | Experiments in theatre | 88 |
(iii) | Experiments in radio, film and television | 93 |
(iv) | Company, Ill Seen Ill Said, Worstward Ho and Stirrings Still | 94 |
Further reading | 97 | |
(d) | Beckett the poet | 98 |
Further reading | 100 | |
Part III | Criticism | 101 |
(a) | Beckett the Cartesian: 1959-1969 | 105 |
(b) | The Beckett industry: 1970-1980 | 125 |
(i) | General studies | 126 |
(ii) | Prose | 136 |
(iii) | Drama/theatre | 139 |
(iv) | Philosophical/theoretical studies | 144 |
(v) | Poetry/media/other studies | 150 |
(c) | Theoretical Beckett: 1980-1995 | 152 |
(i) | Structuralism, post-structuralism and postmodernism | 154 |
(ii) | Feminist criticism | 171 |
(iii) | Psychoanalytic/mythic criticism | 175 |
(iv) | Humanist/introductory/miscellaneous criticism | 180 |
(d) | Recent criticism: 1995- | 194 |
(e) | Biographical studies | 198 |
Further reading | 202 | |
Chronology | 203 | |
Bibliography | 206 | |
Index | 214 |
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Add Samuel Beckett, Samuel Beckett's work forever changed the concepts of literature and theatre. His work remains a core part of introductory courses on literary history, drama, theatre or performance and also features in more specialist modules such as Modernism or The Abs, Samuel Beckett to your collection on WonderClub |