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Key Ring | 3 | |
Summary by the Pawns | 4 | |
Asbury Park, 1915 | 5 | |
Fordham Road, 1917 | 7 | |
The Grandmothers | 8 | |
Early Walk | 10 | |
The Shell | 11 | |
The April Lovers | 12 | |
Railway Tempo | 13 | |
Musical Moment | 14 | |
An Hour to Dance | 15 | |
Drowned Girl | 16 | |
Cor Urbis | 18 | |
The Dark Hole | 20 | |
The Survivors | 22 | |
Ants on the Melon | 25 | |
Yorktown Ferry | 29 | |
Buckroe, After the Season, 1942 | 30 | |
By Old Maps | 32 | |
Narrow Gauge | 34 | |
LAX-Gatwick | 35 | |
Return | 37 | |
Grasmere Journal | 38 | |
Americans in Bloomsbury | 40 | |
English Visit | 42 | |
Nocturne | 44 | |
Windmill Time | 45 | |
In Dublin's Fair City, 1963 | 46 | |
Reunion Between Planes | 48 | |
Now You Need Me | 49 | |
Blackened Rings | 50 | |
The Trek | 55 | |
Laguna in September | 56 | |
Surfers | 58 | |
Winter Zendo | 60 | |
Riding a Koan | 62 | |
Light in Wrightwood | 64 | |
Driving Westward | 66 | |
Godstone | 68 | |
Mojave Evening | 70 | |
Abandoned Anthill | 71 | |
Two of Us | 72 | |
Yes, Though I Walk | 73 | |
Second Coming | 75 | |
Sonoran Cattle | 76 | |
Withdrawal | 78 | |
The Genesis Strain | 81 | |
God to the Serpent | 84 | |
TV Brideshead Revisited | 85 | |
Cutting the Cake | 87 | |
Child as Deity | 88 | |
The Wedding Frame | 89 | |
Home Notes | 91 | |
Pity Ulysses | 93 | |
Too Small for Words | 94 | |
In Nomine | 96 | |
Corona Fidei | 98 | |
Now We Lay Us | 100 | |
Strange Frequency | 101 | |
Where Did I Leave Off? | 105 | |
Peeling an Orange | 107 | |
Blueberry City | 108 | |
By the Waters | 110 | |
Firewind | 112 | |
One Ordinary Evening | 113 | |
Dark Lines | 115 | |
The Ruin | 116 | |
Exit Amor | 117 | |
The Year After | 118 | |
Coronach | 119 | |
A Last Marriage | 120 | |
Two Sides of the Coin | 122 | |
Fair Warning | 125 | |
Midstairs | 127 | |
Return to Madison | 131 | |
Red Camellias | 133 | |
For Scholar-Poets R.M. and R.G.B. | 135 | |
John Berryman's Winter Landscape | 136 | |
Shirley | 137 | |
Lorna | 139 | |
Pilot | 141 | |
Dover | 143 | |
Slow Scythe | 145 | |
Strings | 146 | |
Break In | 148 | |
White Darkness | 149 | |
Take My Hand, Anna K. | 150 | |
Afterword | 151 |
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