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Preface | ||
Introduction: Flaring Moore, or The Revisionist Reviewed | 1 | |
Marianne Moore | 19 | |
Review of Others (1917) | 21 | |
Marianne Moore and Mina Loy (March 1918) | 22 | |
Observations (1918) | 23 | |
The New Poetry (June 1918) | 25 | |
Letter to Marianne Moore (December 1918) | 26 | |
Letter to Ezra Pound (January 1919) | 29 | |
Review of Poems | 32 | |
Women of Wit | 33 | |
Review of Poems | 34 | |
A Symposium on Marianne Moore | 35 | |
Poems: Marianne Moore | 40 | |
Miss Moore's Observations (1923) | 42 | |
Marianne Moore (1923) | 44 | |
Poetry or Wit? | 47 | |
Concerning Miss Moore's Observations (1925) | 50 | |
Announcement (January 1925) | 53 | |
Comment (February 1925) | 54 | |
Comment (March 1925) | 59 | |
Comment (April 1925) | 62 | |
Holiday and Day of Wrath | 64 | |
Marianne Moore (1925) | 67 | |
Observations | 73 | |
Review of Observations | 74 | |
Moore, the Others Group, and Baseball | 76 | |
The Caryatid (1951) | 77 | |
Art as Exact Perception | 78 | |
The Forms of Resistance: Syllabics and Quotation | 93 | |
Introduction to Selected Poems by Marianne Moore (1935) | 105 | |
Marianne Moore | 110 | |
A Poet That Matters | 113 | |
The Method of Marianne Moore | 118 | |
Innovators in Poetry To-Day: Miss Marianne Moore's Experiments | 123 | |
A Literalist of the Imagination | 126 | |
Two Poets | 132 | |
The Humble Animal (1942) | 133 | |
New Poems | 136 | |
Poetry in War and Peace (1945) | 139 | |
Miss Moore and Edgar Allan Poe | 141 | |
American Timeless | 143 | |
The Peaceable Kingdom of Marianne Moore | 145 | |
To Please Herself | 149 | |
Best Living Poet | 150 | |
Review of Collected Poems | 153 | |
The Revised Poems of Marianne More | 154 | |
Three Masters | 155 | |
On Collected Poems | 157 | |
"Discovery, Not Salvage": Marianne Moore's Curatorial Methods | 159 | |
Still Life in the Age of Mechanical Reproduction: Nature, Modernity, and Marianne Moore | 173 | |
Transformations | 185 | |
Supreme in Her Abnormality (1954) | 188 | |
All About Ripeness | 191 | |
Ladies' Day on Parnassus | 193 | |
New Books | 195 | |
Abundance, Not Too Much: The Poetry of Marianne Moore | 198 | |
The Rhythm Is the Person | 201 | |
Review of O to Be a Dragon | 203 | |
The World Series with Marianne Moore: Letter from an October Afternoon | 205 | |
Dowager | 216 | |
Notes and Queries | 217 | |
Poetry Puts Ox to Rights | 217 | |
What the Angels Missed | 218 | |
Urgency and Deference | 221 | |
Straight Lines over Rough Terrain | 222 | |
Virtuoso Fiddling: Marianne Moore's Syllabics | 226 | |
Freezing the Blood and Making One Laugh | 230 | |
Stamps, Money, Pop Culture and Marianne Moore | 234 | |
Disliking It (1975) | 247 | |
"Felicitous Phenomenon": The Poetry of Marianne Moore | 250 | |
Moore and Modern Art | 254 | |
Equilibrium and Feeling: The Feminist Roots of Marianne Moore's Views on Emotion and Poetry | 264 | |
Chronology | 279 | |
Selected Bibliography | 281 | |
Index | 291 |
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Add Critical Response to Marianne Moore (Critical Responses in Arts and Letters, #39), Gregory documents for the first time, the critical reception history of the great modernist poet Marianne Moore. This collection of 71 of the most important and provocative reviews and essays from across Moore's long career (1915-1972) includes pivotal ar, Critical Response to Marianne Moore (Critical Responses in Arts and Letters, #39) to the inventory that you are selling on WonderClubX
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Add Critical Response to Marianne Moore (Critical Responses in Arts and Letters, #39), Gregory documents for the first time, the critical reception history of the great modernist poet Marianne Moore. This collection of 71 of the most important and provocative reviews and essays from across Moore's long career (1915-1972) includes pivotal ar, Critical Response to Marianne Moore (Critical Responses in Arts and Letters, #39) to your collection on WonderClub |